{"id":132,"date":"2023-09-11T18:39:29","date_gmt":"2023-09-11T16:39:29","guid":{"rendered":"https:\/\/dev.web-lab.cz\/?page_id=132"},"modified":"2026-03-08T20:07:20","modified_gmt":"2026-03-08T19:07:20","slug":"galerie","status":"publish","type":"page","link":"https:\/\/malymehrin.cz\/de\/galerie\/","title":{"rendered":"Galerie"},"content":{"rendered":"

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Komentovan\u00e1 prohl\u00eddka st\u00e1l\u00e9 v\u00fdstavy\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Koncem m\u011bs\u00edce jsme p\u0159ipravili dal\u0161\u00ed komentovanou prohl\u00eddku na\u0161\u00ed st\u00e1l\u00e9 v\u00fdstavy o historii \u017eidovsk\u00fdch komunit na Morav\u011b s novou tv\u00e1\u0159\u00ed pr\u016fvodkyn\u011b, kter\u00e1 se uskute\u010dnila u p\u0159\u00edle\u017eitosti Mezin\u00e1rodn\u00edho dne pam\u00e1tky ob\u011bt\u00ed holocaustu. Expozic\u00ed provedla histori\u010dka T\u00e1\u0148a Klementov\u00e1, kter\u00e1 p\u0159edstavila vybran\u00e9 p\u0159\u00edb\u011bhy moravsk\u00fdch \u017eidovsk\u00fdch rodin, p\u0159ipomn\u011bla jejich kulturn\u00ed odkaz i tragick\u00fd osud b\u011bhem holocaustu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Georg Placzek \u2013 Odyssea brn\u011bnsk\u00e9ho jadern\u00e9ho fyzika<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Georg Placzek \u2013 Odyssea brn\u011bnsk\u00e9ho jadern\u00e9ho fyzika. Pod t\u00edmto n\u00e1zvem dlouholet\u00fd pracovn\u00edk Akademie v\u011bd Ale\u0161 Gottvald v pln\u00e9 \u0161\u00ed\u0159i p\u0159edstavil brn\u011bnsk\u00e9ho rod\u00e1ka a sv\u011btov\u00e9 v\u00fdznamn\u00e9ho fyzika. Ten byl aktivn\u00edm hybatelem mnoha ud\u00e1lost\u00ed a objev\u016f, kter\u00e9 symbolizuj\u00ed \u00fasvit atomov\u00e9ho v\u011bku s mnoha d\u016fsledky i pro na\u0161i pov\u00e1le\u010dnou historii a sou\u010dasnost.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"A.Gottvald\"<\/div>
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\"A.Gottvald<\/div>
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\"A.Gottvald<\/div>
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\"A.Gottvald<\/div>
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Sou\u010dasn\u00fd antisemitismus: Antisionismus.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V \u00fater\u00fd 13. ledna jsme v nov\u00e9m roce zah\u00e1jili velmi zaj\u00edmavou p\u0159edn\u00e1\u0161kou kulturolo\u017eky a hebraistky Terezie Dubinov\u00e9 s t\u00e9matem Sou\u010dasn\u00fd antisemitismus: Antisionismus. P\u0159ehledn\u011b uveden\u00e1 fakta sezn\u00e1mila s t\u00edm, jak sou\u010dasn\u00fd antisemitismus vypad\u00e1, jak\u00fd pou\u017e\u00edv\u00e1 jazyk, vizualitu, narativ a metody.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"T.<\/div>
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\"T.<\/div>
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\"T.<\/div>
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Jak se slav\u00ed sv\u00e1tek sv\u011btel?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bl\u00ed\u017e\u00edc\u00ed se sv\u00e1tek Chanuka jsme p\u0159ipomn\u011bli ve \u010dtvrtek 11. prosince p\u0159edn\u00e1\u0161kou praktikuj\u00edc\u00ed Judity Kopotov\u00e9. Pohodov\u00e1 atmosf\u00e9ra p\u0159edn\u00e1\u0161ky
p\u0159\u00edmo nab\u00e1dala k dotaz\u016fm ze strany publika, kter\u00e9 se ptalo a dal\u0161\u00edmi ot\u00e1zkami zabrousilo i na jin\u00e1 t\u00e9mata ne\u017e ryze chanukov\u00e1\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IMG_20251211_181148\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Nav\u0161t\u00edvili n\u00e1s studenti historie<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ve st\u0159edu 3. prosince 2025 na\u0161e v\u00fdstavn\u00ed prostory nav\u0161t\u00edvili studenti 2. ro\u010dn\u00edku historie z Masarykovy univerzity. Dozv\u011bd\u011bli se v\u0161e o na\u0161em projektu vybudov\u00e1n\u00ed nov\u00e9ho \u017eidovsk\u00e9ho muzea Mehrin i o \u010dinnosti Mal\u00e9ho Mehrinu, kter\u00fd tomuto projektu p\u0159edch\u00e1z\u00ed. Prohl\u00e9dli si st\u00e1lou v\u00fdstavu ve sklepn\u00edch prostor\u00e1ch i aktu\u00e1ln\u00ed audiovizu\u00e1ln\u00ed v\u00fdstavu dopis\u016f z obdob\u00ed holocaustu nazvanou Hlasy.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IMG_20251203_162628\"<\/div>
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\"IMG_20251203_162906\"<\/div>
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\"IMG_20251203_163205\"<\/div>
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B\u00edl\u00e1 vr\u00e1na<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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N\u00e1zev besedy, kter\u00e1 prob\u011bhla v \u00fater\u00fd 2. prosince 2025, jsme zvolili podle stejnojmenn\u00e9ho dokument\u00e1rn\u00edho filmu n\u011bmeck\u00e9 re\u017eis\u00e9rky Carolin Ottov\u00e9. Ta jej nato\u010dila o \u017eivot\u011b Maxe Mannheimera, kter\u00fd pro\u0161el n\u011bkolika koncentra\u010dn\u00edmi t\u00e1bory, ale navzdory tomu si zachoval pozitivn\u00ed p\u0159\u00edstup k \u017eivotu. O jeho osobnosti, ale tak\u00e9 o p\u0159enosu traumatu holocaustu si pov\u00eddaly dv\u011b d\u00e1my \u2013 Eva Kalousov\u00e1, kter\u00e1 se t\u00edmto v\u00fdzkumem dlouhodob\u011b zab\u00fdv\u00e1, a Eva Kope\u010dkov\u00e1, kterou s Maxem v\u00e1\u017eou p\u0159\u00edm\u00e9 p\u0159\u00edbuzensk\u00e9 vztahy\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"beseda<\/div>
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\"beseda<\/div>
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\"beseda<\/div>
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\"beseda<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Komentovan\u00e1 prohl\u00eddka st\u00e1l\u00e9 sklepn\u00ed v\u00fdstavy\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Komentovan\u00e1 prohl\u00eddka st\u00e1l\u00e9 sklepn\u00ed v\u00fdstavy v Mal\u00e9m Mehrinu na V\u00edde\u0148sk\u00e9 prob\u011bhla tentokr\u00e1t s na\u0161\u00ed lektorkou vzd\u011bl\u00e1vac\u00edch program\u016f pro \u0161koly Evou Kope\u010dkovou ve st\u0159edu 19. listopadu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Kope\u010dkov\u00e1\"<\/div>
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\"Kope\u010dkov\u00e1<\/div>
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\"Kope\u010dkov\u00e1<\/div>
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\"IMG_20251203_163329\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jak se hled\u00e1 minulost? Kde se uchovala sv\u011bdectv\u00ed o \u017eidovsk\u00fdch\nobyvatel\u00edch, transportech a jejich osudu za v\u00e1lky?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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S velk\u00fdm z\u00e1jmem se setkala v pond\u011bl\u00ed 10. listopadu 2025 p\u0159edn\u00e1\u0161ka histori\u010dky \u017didovsk\u00e9ho muzea v Praze Jany \u0160pl\u00edchalov\u00e9, na kter\u00e9 n\u00e1zorn\u011b uvedla, jak historici skl\u00e1daj\u00ed p\u0159\u00edb\u011bhy jednotlivc\u016f i komunit a jak cenn\u00e9 jsou nap\u0159. materi\u00e1ly z rodinn\u00fdch archiv\u016f.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\u0160pl\u00edchalov\u00e1\"<\/div>
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\"\u0160pl\u00edchalov\u00e1<\/div>
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\"\u0160pl\u00edchalov\u00e1<\/div>
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\"\u0160pl\u00edchalov\u00e1<\/div>
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Revizionistick\u00e9 hnut\u00ed na Morav\u011b\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V pond\u011bl\u00ed 3. listopadu 2025 se uskute\u010dnila tak\u00e9 p\u0159edn\u00e1\u0161ka na velmi zaj\u00edmav\u00e9 t\u00e9ma revizionistick\u00e9ho hnut\u00ed. Poutav\u00fd v\u00fdklad Martina \u0160moka dal p\u0159\u00edtomn\u00fdm z\u00e1jemc\u016fm nahl\u00e9dnout do t\u00e9matu, kter\u00e9 nen\u00ed obecn\u011b tak zn\u00e1m\u00e9.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"\u0160mok\"<\/div>
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\"\u0160mok<\/div>
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\"\u0160mok<\/div>
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\"\u0160mok<\/div>
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IWalk v Brn\u011b!\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V pond\u011bl\u00ed 3. listopadu prob\u011bhl semin\u00e1\u0159 ur\u010den\u00fd pro u\u010ditele z\u00e1kladn\u00edch i st\u0159edn\u00edch \u0161kol, na kter\u00e9m se sezn\u00e1mili s aplikac\u00ed, kter\u00e1 se m\u016f\u017ee st\u00e1t jejich pom\u016fckou ve v\u00fduce. Aplikaci, kter\u00e1 ji\u017e na dvou tras\u00e1ch propojuje re\u00e1ln\u00e1 m\u00edsta s filmov\u00fdmi vzpom\u00ednkami \u017eidovsk\u00fdch obyvatel Brna, si \u00fa\u010dastn\u00edci m\u011bli mo\u017enost vyzkou\u0161et i venku, mimo prostory na\u0161eho muzea, p\u0159\u00edmo na dan\u00fdch m\u00edstech. Jejich pr\u016fvodci p\u0159edn\u00e1\u0161kou i vych\u00e1zkou byli autor aplikace Martin \u0160mok a histori\u010dka T\u00e1\u0148a Klementov\u00e1.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IWalk_Brno_listopad<\/div>
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\"IWalk\"<\/div>
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\"IWalk<\/div>
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\"IWalk<\/div>
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7. \u0159\u00edjna 2023 a jeho dopad na geopolitickou mapu Bl\u00edzk\u00e9ho v\u00fdchodu\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Po dvou letech, kdy se odehr\u00e1l tragick\u00fd teroristick\u00fd \u00fatok Ham\u00e1su na Izrael a n\u00e1sledn\u00e1 v\u00e1lka v Gaze se z\u00e1sadn\u011b prom\u011bnila geopolitick\u00e1 mapa Bl\u00edzk\u00e9ho v\u00fdchodu. Pozvali jsme na \u010dtvrtek 23. \u0159\u00edjna histori\u010dku a odbornici na Bl\u00edzk\u00fd v\u00fdchod z \u00dastavu pro soudob\u00e9 d\u011bjiny AV \u010cR Evu Taterovou, aby rozebrala danou situaci a jej\u00ed mo\u017en\u00e1 vy\u00fast\u011bn\u00ed. T\u00e9m\u011b\u0159 v\u0161ichni p\u0159\u00edtomn\u00ed se zapojili do \u017eiv\u00e9 diskuse, kter\u00e1 se neodehr\u00e1la pouze na z\u00e1v\u011br, ale v pr\u016fb\u011bhu cel\u00e9 p\u0159edn\u00e1\u0161ky.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Taterov\u00e1\"<\/div>
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\"Taterov\u00e1<\/div>
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\"Taterov\u00e1<\/div>
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Komentovan\u00e1 prohl\u00eddka st\u00e1l\u00e9 expozice v Mal\u00e9m Mehrinu<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u0158\u00edjnov\u00e9 komentovan\u00e9 prohl\u00eddky na\u0161\u00ed st\u00e1l\u00e9 expozice se 15. \u0159\u00edjna ujal n\u00e1\u0161 nov\u00fd spolupracovn\u00edk, historik Jakub K\u0159\u00ed\u017e, kter\u00fd sv\u00fdm poutav\u00fdm v\u00fdkladem
zaujal z\u00e1jemce o \u017eidovskou historii.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"J.K\u0159\u00ed\u017e\"<\/div>
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Beseda s Milo\u0161em Dole\u017ealem, autorem knihy Tady nikdo nen\u00ed, jen j\u00e1<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Na besed\u011b, kterou s Milo\u0161em Dole\u017ealem vedl ve \u010dtvrtek 9. \u0159\u00edjna 2025 Martin Reiner, se p\u0159ed p\u0159\u00edtomn\u00fdmi otev\u0159el dojemn\u00fd a r\u00e1zovit\u00fd sv\u011bt \u017eidovsk\u00fdch obyvatel Vyso\u010diny, kte\u0159\u00ed jako by vysko\u010dili z Nerudov\u00fdch Pov\u00eddek malostransk\u00fdch\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"M.Dole\u017eal\"<\/div>
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\"M.Dole\u017eal<\/div>
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\"M.Dole\u017eal<\/div>
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\"M.Dole\u017eal<\/div>
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P\u0159ipom\u00ednka ud\u00e1lost\u00ed 7. \u0159\u00edjna 2023<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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P\u0159esn\u011b po dvou letech, kdy teroristick\u00e9 hnut\u00ed Ham\u00e1s za\u00fato\u010dilo na Izrael a zab\u00edjelo voj\u00e1ky i civilisty, jsme se rozhodli p\u0159ipomenout, \u017ee ani po takov\u00e9to dob\u011b je\u0161t\u011b nejsou v\u0161ichni n\u00e1siln\u011b unesen\u00ed zp\u011bt u sv\u00fdch nejbli\u017e\u0161\u00edch\u2026 Po\u017e\u00e1dali jsme herce N\u00e1rodn\u00edho divadla Brno pana Vladim\u00edra Kr\u00e1tk\u00e9ho, aby v\u0161echna zb\u00fdvaj\u00edc\u00ed jm\u00e9na namluvil, a ta pak v odpoledn\u00edch hodin\u00e1ch opakovan\u011b zazn\u011bla na brn\u011bnsk\u00e9m n\u00e1m\u011bst\u00ed Svobody. Mnoz\u00ed kolemjdouc\u00ed se zastavovali a nechali si jako v\u00fdraz solidarity s ob\u011btmi \u00fanosu p\u0159ipnout \u017elutou stu\u017eku.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"7.10.<\/div>
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\"7.10.<\/div>
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\"7.10.<\/div>
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\"7.10.\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Setk\u00e1n\u00ed s Hlasy\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ve \u010dtvrtek 4. z\u00e1\u0159\u00ed 2025 byla zah\u00e1jena audiovizu\u00e1ln\u00ed v\u00fdstava Hlasy. V \u00fater\u00fd 30. z\u00e1\u0159\u00ed 2025 se na\u0161i n\u00e1v\u0161t\u011bvn\u00edci p\u0159i\u0161li zaposlouchat do \u201ehlas\u016f dopis\u016f“, s jejich\u017e zpracov\u00e1n\u00edm n\u00e1m pom\u00e1hala v sou\u010dasnosti tolik diskutovan\u00e1 um\u011bl\u00e1 inteligence. Mohli si prohl\u00e9dnout i origin\u00e1ly dopis\u016f a dokument\u016f, kter\u00e9 byly naps\u00e1ny bezm\u00e1la p\u0159ed sto lety a p\u0159i sklence dobr\u00e9ho ko\u0161er v\u00edna osobn\u011b promluvit s n\u011bkter\u00fdmi z rodin, kter\u00e9 osobn\u00ed korespondenci poskytli… Promluvila autorka cel\u00e9ho projektu histori\u010dka T\u00e1\u0148a Klementov\u00e1 a o
z\u00e1ludnostech zpracov\u00e1n\u00ed za pomoci AI Franti\u0161ek Floder.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Still0602_00033\"<\/div>
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\"Still0602_00020\"<\/div>
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\"Still0602_00018\"<\/div>
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\"Still0602_00005\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Komentovan\u00e1 prohl\u00eddka st\u00e1l\u00e9 expozice v Mal\u00e9m Mehrinu\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ve sklepn\u00edch prostor\u00e1ch V\u00edde\u0148sk\u00e9 14 se tak trochu ukr\u00fdv\u00e1 na\u0161e st\u00e1l\u00e1 expozice, kter\u00e1 se v\u011bnuje \u017eidovsk\u00e9 historii na Morav\u011b. R\u00e1di bychom ji ka\u017ed\u00fd m\u011bs\u00edc roz\u0161\u00ed\u0159ili komentovanou prohl\u00eddkou, na kter\u00e9 se n\u00e1v\u0161t\u011bvn\u00edci dozv\u011bd\u00ed mnohem v\u00edce a mohou se i zeptat. Prvn\u00ed prohl\u00eddky ve st\u0159edu 10. z\u00e1\u0159\u00ed se ujal \u0159editel Nada\u010dn\u00edho fondu Mehrin Martin Reiner.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Komentovana<\/div>
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\"Komentovana<\/div>
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Touha \u017e\u00edt. (Ne)oby\u010dejn\u00fd p\u0159\u00edb\u011bh Franti\u0161ka F\u00e4rbera z Krom\u011b\u0159\u00ed\u017ee<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V \u00fater\u00fd 8. dubna jsme vernis\u00e1\u017e\u00ed otev\u0159eli novou v\u00fdstavu. Jde o kresby inspirovan\u00e9 \u017eivotem Franti\u0161ka F\u00e4rbera, krom\u011b\u0159\u00ed\u017esk\u00e9ho pam\u011btn\u00edka holokaustu. Autorem kreseb je \u010d\u00ednsk\u00fd v\u00fdtvarn\u00edk Han Jiang Xue, \u017eij\u00edc\u00ed trvale v \u010cesku. Vystaven\u00e9 kresby vznikly jako podklad k eduka\u010dn\u00edmu komiksu pro Muzeum Krom\u011b\u0159\u00ed\u017eska. Ten si dal za \u00fakol sledovat otisk velk\u00fdch d\u011bjinn\u00fdch ud\u00e1lost\u00ed 20. stolet\u00ed v \u017eivot\u011b Franti\u0161ka F\u00e4rbera, jeho\u017e rodina pat\u0159ila ke krom\u011b\u0159\u00ed\u017esk\u00e9 \u017eidovsk\u00e9 obci. Kresby vych\u00e1zej\u00ed z historick\u00fdch pramen\u016f, nap\u0159. z rodinn\u00fdch fotografi\u00ed, korespondence \u010di p\u0159edm\u011bt\u016f, kter\u00e9 jsou ulo\u017eeny v depozit\u00e1\u0159i muzea. Na vernis\u00e1\u017e\u00ed jsme p\u0159iv\u00edtali\u00a0 nejen samotn\u00e9ho autora kreseb, ale i delegaci z Muzea Krom\u011b\u0159\u00ed\u017eska, kde v\u00fdstava vznikla a byla ji\u017e s \u00fasp\u011bchem uvedena. V\u00fdstava potrv\u00e1 do 30. 6. 2025.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"SON05129-Enhanced-NR\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Oskar Spielmann, St\u0159edoevropan v Al\u017e\u00edrsku<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ve st\u0159edu 26. b\u0159ezna prob\u011bhla v Mal\u00e9m Mehrinu na V\u00edde\u0148sk\u00e9 p\u0159edn\u00e1\u0161ka Ivo Hab\u00e1na o \u017eidovsk\u00e9m mal\u00ed\u0159i s moravsk\u00fdmi ko\u0159eny Oskaru Spielmannovi.
M\u00edstem narozen\u00ed, studiem i ran\u00fdm d\u00edlem n\u00e1le\u017eel Spielmann do okruhu n\u011bmecky hovo\u0159\u00edc\u00edch um\u011blc\u016f, kte\u0159\u00ed museli na sklonku t\u0159ic\u00e1t\u00fdch let opustit
svou zemi a m\u011bli b\u00fdt vymaz\u00e1ni z jej\u00ed pam\u011bti. Pr\u00e1v\u011b st\u0159edoevropsk\u00e9 ud\u00e1losti let 1938 a 1939 rozhodly o tom, \u017ee natrvalo p\u0159es\u00eddlil do Al\u017e\u00edru, kde str\u00e1vil 30 let sv\u00e9ho um\u011blecky napln\u011bn\u00e9ho \u017eivota. Roku 1945 obdr\u017eel presti\u017en\u00ed al\u017e\u00edrskou um\u011bleckou Grand Prix, kter\u00e1 potvrdila jeho status al\u017e\u00edrsk\u00e9ho um\u011blce. Ivo Hab\u00e1n je autorem ned\u00e1vno vydan\u00e9 obs\u00e1hl\u00e9 monografie o Oskaru Spielmannovi a jeho zasv\u011bcen\u00fd, ale form\u00e1ln\u011b velmi p\u0159\u00edstupn\u00fd koment\u00e1\u0159 o mal\u00ed\u0159ov\u011b \u017eivot\u011b i d\u00edle, pot\u011b\u0161il v\u0161echny p\u0159\u00edtomn\u00e9 a podn\u00edtil i bohatou diskusi.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Izraelci a Palestinci ve st\u00ednu 7. \u0159\u00edjna 2023<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Na \u00fater\u00fd 18. b\u0159ezna jsme pozvali Marka \u010cejku<\/strong>, kter\u00fd se dlouhodob\u011b zab\u00fdv\u00e1 Bl\u00edzk\u00fdm v\u00fdchodem, zejm\u00e9na pak izraelsko-palestinsk\u00fdm konfliktem. Mnoho dotaz\u016f z\u00a0\u0159ad publika na konci p\u0159edn\u00e1\u0161ky potvrdilo, \u017ee situace je slo\u017eit\u00e1 a lze ji sledovat a studovat z\u00a0mnoha pohled\u016f. V\u011b\u0159\u00edme proto, \u017ee ti kte\u0159\u00ed p\u0159i\u0161li dozv\u011bd\u011bt se v\u00edce o ko\u0159enech tohoto d\u011bn\u00ed, ode\u0161li s\u00a0odpov\u011b\u010fmi na sv\u00e9 ot\u00e1zky.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Co se stalo se zabaven\u00fdm \u017eidovsk\u00fdm majetkem za v\u00e1lky a po v\u00e1lce?<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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R\u00e1di roz\u0161i\u0159ujeme na\u0161i nab\u00eddku i o obecn\u011bj\u0161\u00ed t\u00e9mata, ne\u017e je pouze \u017eidovsk\u00fd moravsk\u00fd p\u0159\u00edb\u011bh. I proto jsme pozvali histori\u010dku Janu Jir\u00e1skovou <\/strong>z\u00a0Centra pro dokumentaci majetkov\u00fdch p\u0159evod\u016f kulturn\u00edch statk\u016f ob\u011bt\u00ed II. sv\u011btov\u00e9 v\u00e1lky a judaistu Ji\u0159\u00edho Bla\u017eka<\/strong>, kter\u00fd pracuje jako p\u0159ekladatel, editor a vydavatel \u017eidovsk\u00e9 n\u00e1bo\u017eensk\u00e9 literatury a sou\u010dasn\u011b p\u016fsob\u00ed jako pr\u016fvodce a p\u0159edn\u00e1\u0161ej\u00edc\u00ed v\u00a0\u017didovsk\u00e9m muzeu v\u00a0Praze. P\u0159\u00edtomn\u00ed si v\u00a0pond\u011bl\u00ed 10. b\u0159ezna vyslechli, jak fungovalo systematick\u00e9 zabavov\u00e1n\u00ed \u017eidovsk\u00e9ho majetku v pr\u016fb\u011bhu 2. sv\u011btov\u00e9 v\u00e1lky, podle \u010deho se ur\u010dovalo, kter\u00e1 um\u011bleck\u00e1 d\u00edla maj\u00ed nejvy\u0161\u0161\u00ed hodnotu, a jak se poda\u0159ilo, \u017ee n\u011bkter\u00e9 obrazy \u010di grafiky byly zachr\u00e1n\u011bn\u00e9 p\u0159ed nacisty. Mluvilo se i o badatelsk\u00e9 pr\u00e1ci, kdy se i v\u00a0sou\u010dasnosti p\u00e1tr\u00e1 po zabaven\u00fdch um\u011bleck\u00fdch p\u0159edm\u011btech.\u00a0Tato problematika je v\u0161ak tak rozv\u011btven\u00e1, \u017ee na ni nav\u00e1\u017eeme pokra\u010duj\u00edc\u00ed p\u0159edn\u00e1\u0161kou za\u010d\u00e1tkem \u010dervna.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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I takov\u00fdhle p\u011bkn\u00fd z\u00e1b\u011bry um\u011bl d\u011bda\u2026<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Program \u0161it\u00fd na m\u00edru do pr\u00e1v\u011b prob\u00edhaj\u00edc\u00ed v\u00fdstavy \u2013 tak by se dala charakterizovat beseda ve \u010dtvrtek 27. \u00fanora s\u00a0bratry Ji\u0159\u00edm a Petrem Urbanov\u00fdmi<\/strong>, vnuky Arno\u0161ta Bene\u0161e. Oba sv\u00e9ho d\u011bde\u010dka osobn\u011b nepoznali, ale d\u00edky dochovan\u00fdm fotografick\u00fdm i filmov\u00fdm z\u00e1b\u011br\u016fm, ale p\u0159edev\u0161\u00edm z\u00a0vypr\u00e1v\u011bn\u00ed sv\u00e9 maminky Zuzany Urbanov\u00e9, rozen\u00e9 Bene\u0161ov\u00e9, mohli zasv\u011bcen\u011b komentovat nejen jeho \u017eivot, ale i rodinn\u00e9 vazby \u0161irok\u00e9ho p\u0159\u00edbuzenstva. T\u00e1\u0148a Klementov\u00e1, kter\u00e1 celou besedu vedla, zasazovala jednotliv\u00e9 vzpom\u00ednky do historick\u00e9ho kontextu.\u00a0<\/p>

A my jsme r\u00e1di, \u017ee si tohoto konkr\u00e9tn\u00edho p\u0159\u00edb\u011bhu v\u0161imlo i m\u011bsto T\u0159eb\u00ed\u010d a jeho m\u00edstn\u00ed muzeum p\u0159isl\u00edbilo na podzim p\u0159\u00ed\u0161t\u00edho roku uspo\u0159\u00e1dat obdobnou v\u00fdstavu v\u00a0roz\u0161\u00ed\u0159en\u00e9 podob\u011b i o ostatn\u00ed m\u00edstn\u00ed \u017eidovsk\u00e9 rodiny. D\u011bkujeme.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Martin C. Putna: Nov\u00e9 zpr\u00e1vy ze Svat\u00e9 zem\u011b<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Profesor Martin C. Putna je zn\u00e1m nejenom odborn\u00e9, ale i \u0161irok\u00e9 ve\u0159ejnosti d\u00edky tomu, \u017ee je \u201eneuctiv\u00fd k\u00a0autorit\u00e1m, zm\u00edtan\u00fd emocemi, pln\u00fd energie, ale i\u00a0erudovan\u00fd badatel, jen\u017e provokuje k\u00a0my\u0161len\u00ed\u201c, jak zn\u011bl titulek jednoho novinov\u00e9ho \u010dl\u00e1nku. Jsme r\u00e1di, \u017ee 19. \u00fanora 2025 p\u0159ijal pozv\u00e1n\u00ed a na\u0161e zat\u00edm mal\u00e9 prostory Mal\u00e9ho Mehrinu tak zcela zaplnil nejen sv\u00fdm mluven\u00fdm projevem, ale p\u0159edev\u0161\u00edm poslucha\u010di, na kter\u00e9 zdaleka nesta\u010dil po\u010det \u017eidl\u00ed, a tak dobrovoln\u011b z\u016fstali st\u00e1t\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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P\u0159ed sv\u011btovou sl\u00e1vou. Nekrology za Franze Kafku a budov\u00e1n\u00ed liter\u00e1rn\u00ed nesmrtelnosti <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V p\u0159edn\u00e1\u0161ce v\u00a0\u00fater\u00fd 11. \u00fanora o sv\u00e9 nov\u00e9 knize \u201eVor dem Weltruhm\u201c (B\u00f6hlau, V\u00edde\u0148\/Kol\u00edn nad R\u00fdnem 2024) Ines Koeltzsch<\/strong> p\u0159edstavila, jak prost\u0159ednictv\u00edm text\u016f, obraz\u016f a mluven\u00e9ho slova zn\u00e1m\u00ed a nezn\u00e1m\u00ed auto\u0159i a autorky vzpom\u00ednali na Franze Kafku bezprost\u0159edn\u011b po jeho smrti. Zvl\u00e1\u0161tn\u00ed d\u016fraz kladla na vytvo\u0159en\u00ed \u017eidovsk\u00e9 pam\u011btn\u00ed komunity, ke kter\u00e9 p\u0159isp\u011bla mimo jin\u00e9 i mal\u00ed\u0159ka a brn\u011bnsk\u00e1 roda\u010dka Clara Epstein.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IMG_20250211_183845\"<\/div>
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Dopis Alexandrovi<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ve\u010der 30. ledna 2025 byl v\u011bnovan\u00fd Renat\u011b Laxov\u00e9, l\u00e9ka\u0159ce, v\u011bdkyni a vysoko\u0161kolsk\u00e9 pedago\u017ece v oboru d\u011btsk\u00e9 genetiky, kter\u00e9 byla letos ud\u011blena in memoriam Cena m\u011bsta Brna v oblasti \u201cz\u00e1sluhy o svobodu a demokracii\u201c. Renata Laxov\u00e1 poch\u00e1zela z brn\u011bnsk\u00e9 \u017eidovsk\u00e9 rodiny. Byla jedn\u00edm z tzv. Wintonov\u00fdch d\u011bt\u00ed. Cel\u00fd \u017eivot c\u00edtila mor\u00e1ln\u00ed povinnost mluvit o holokaustu s mlad\u00fdmi generacemi a p\u0159edn\u00e1\u0161ela na toto t\u00e9ma na americk\u00fdch st\u0159edn\u00edch i vysok\u00fdch \u0161kol\u00e1ch. Sv\u016fj \u017eivotn\u00ed p\u0159\u00edb\u011bh p\u0159evypr\u00e1v\u011bla v knize Dopis Alexandrovi (Letter to Alexander), kter\u00fd sepsala pro sv\u00e9ho vnuka v roce 2001.<\/p>

Z\u00a0americk\u00e9ho Wisconsinu jsme p\u0159iv\u00edtali na besed\u011b pan\u00ed Anitu Laxovou<\/strong> \u2013 dceru pan\u00ed Renaty \u2013 kter\u00e1 p\u0159ijela do Brna cenu za maminku p\u0159evz\u00edt. P\u0159\u00edtomn\u00ed si tak mohli po \u00faryvc\u00edch z\u00a0knihy i uk\u00e1zk\u00e1ch z rozhovor\u016f Renaty Laxov\u00e9 vyslechnout i p\u0159\u00edmou vzpom\u00ednku jej\u00ed dcery.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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P\u0159\u00edjmen\u00ed \u017did\u016f jako stopa jejich \u017eivota a kultury<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Co je p\u0159\u00edjmen\u00ed, pro\u010d je m\u00e1me, odkud se vzala, co prozrazuj\u00ed\u2026<\/em><\/p>

Velmi si v\u00e1\u017e\u00edme n\u00e1v\u0161t\u011bvy emeritn\u00edho profesora Masarykovy univerzity prof. Rudolfa \u0160r\u00e1mka<\/strong>, kter\u00fd i p\u0159es sv\u016fj vysok\u00fd v\u011bk neztratil odbornou erudici a za doprovodu sv\u00e9 dcery p\u0159i\u0161el 20. ledna do Mal\u00e9ho Mehrinu poslucha\u010d\u016fm p\u0159edstavit synt\u00e9zu sv\u00fdch b\u00e1dan\u00ed nejen z brn\u011bnsk\u00e9ho \u017eidovsk\u00e9ho h\u0159bitova\u2026<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"20250120_180426\"<\/div>
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\"20250120_180346\"<\/div>
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O\u010di otev\u0159en\u00fd, ruce p\u0159ipraven\u00fd. Sv\u011bty Arno\u0161ta Bene\u0161e (1900 T\u0159eb\u00ed\u010d\u20131942 Auschwitz) - Vernis\u00e1\u017e v\u00fdstavy 3. 1. 2025<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Bezprost\u0159edn\u011b po Nov\u00e9m roce jsme za \u00fa\u010dasti rozv\u011btven\u00e9 rodiny vnuk\u016f Arno\u0161ta Bene\u0161e, kter\u00e9mu podobn\u011b jako mnoha jin\u00fdm nebylo dop\u0159\u00e1no rozv\u00edjet sv\u00e9 talenty, kter\u00fdmi opl\u00fdval, slavnostn\u011b zp\u0159\u00edstupnili v\u00fdstavu jeho fotografi\u00ed. Ty jsou dopln\u011bny i o uk\u00e1zky z\u00a0jeho filma\u0159sk\u00e9 tvorby, kdy si jako prvn\u00ed obyvatel T\u0159eb\u00ed\u010de zakoupil 8mm kameru a to\u010dil, s\u00a0p\u0159ihl\u00e9dnut\u00edm k\u00a0tehdej\u0161\u00edm trend\u016fm, v\u0161e okolo sebe, p\u0159edev\u0161\u00edm v\u0161ak sv\u00e9 nejbli\u017e\u0161\u00ed. Opl\u00fdval i rukod\u011blnou zru\u010dnost\u00ed, ve v\u00fdstav\u011b naleznete j\u00edm vyroben\u00fd n\u00e1bytek pro panenky i zachovanou fotografii sk\u0159\u00ed\u0148ov\u00e9 st\u011bny, kterou vyrobil do jejich rodinn\u00e9 vily. Zvl\u00e1\u0161t\u011b si v\u00e1\u017e\u00edme zap\u016fj\u010den\u00ed mnoh\u00fdch rodinn\u00fdch artefakt\u016f, kter\u00e9 se dochovaly p\u0159edev\u0161\u00edm d\u00edky d\u016fmysln\u00e9 skr\u00fd\u0161i pod schody v\u00a0jejich dom\u011b, kter\u00e1 nebyla prozrazena. P\u0159ij\u010fte \u2013 v\u00fdstava kon\u010d\u00ed v\u00a0ned\u011bli 30. b\u0159ezna.\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Z depozit\u00e1\u0159\u016f Pam\u00e1tn\u00edku Terez\u00edn\u2026<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jsme velmi r\u00e1di, \u017ee na\u0161e pozv\u00e1n\u00ed na prosincovou p\u0159edn\u00e1\u0161ku p\u0159ijal spr\u00e1vce depozit\u00e1\u0159\u016f Pam\u00e1tn\u00edku Terez\u00edn Tom\u00e1\u0161 Raichl. Cht\u011bli jsme toti\u017e na\u0161im n\u00e1v\u0161t\u011bvn\u00edk\u016fm vlo\u017eit do kontextu v\u00fdstavu kreseb pan\u00ed Gisely Rottonara, kter\u00e1 v\u00a0na\u0161ich prostor\u00e1ch do 19. prosince prob\u00edhala. Nazvali jsme ji Obr\u00e1zky z\u00a0Terez\u00edna 1942-1943 \u2013 Kreslen\u00fd den\u00edk Gisely Rottonara (1873-1943)<\/strong>. Jde o kresby, kter\u00e9 po sv\u00e9 deportaci do Terez\u00edna vytvo\u0159ila t\u00e9m\u011b\u0159 sedmdes\u00e1tilet\u00e1 v\u00edde\u0148sk\u00e1 mal\u00ed\u0159ka. Zachycovala na nich sv\u00e9 dojmy, terez\u00ednsk\u00e1 z\u00e1kout\u00ed i tv\u00e1\u0159e lid\u00ed. P\u0159edn\u00e1\u0161ka Tom\u00e1\u0161e Raichla pak p\u0159\u00edtomn\u00fdm odhalila ohromnou \u0161\u00ed\u0159i a spektrum toho, co bylo v\u00a0Terez\u00edn\u011b vytvo\u0159eno.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IMG_20241211_181524<\/div>
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Z depozit\u00e1\u0159\u016f Pam\u00e1tn\u00edku Terez\u00edn\u2026<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jsme velmi r\u00e1di, \u017ee na\u0161e pozv\u00e1n\u00ed na prosincovou p\u0159edn\u00e1\u0161ku p\u0159ijal spr\u00e1vce depozit\u00e1\u0159\u016f Pam\u00e1tn\u00edku Terez\u00edn Tom\u00e1\u0161 Raichl. Cht\u011bli jsme toti\u017e na\u0161im n\u00e1v\u0161t\u011bvn\u00edk\u016fm vlo\u017eit do kontextu v\u00fdstavu kreseb pan\u00ed Gisely Rottonara, kter\u00e1 v\u00a0na\u0161ich prostor\u00e1ch do 19. prosince prob\u00edhala. Nazvali jsme ji Obr\u00e1zky z\u00a0Terez\u00edna 1942-1943 \u2013 Kreslen\u00fd den\u00edk Gisely Rottonara (1873-1943)<\/strong>. Jde o kresby, kter\u00e9 po sv\u00e9 deportaci do Terez\u00edna vytvo\u0159ila t\u00e9m\u011b\u0159 sedmdes\u00e1tilet\u00e1 v\u00edde\u0148sk\u00e1 mal\u00ed\u0159ka. Zachycovala na nich sv\u00e9 dojmy, terez\u00ednsk\u00e1 z\u00e1kout\u00ed i tv\u00e1\u0159e lid\u00ed. P\u0159edn\u00e1\u0161ka Tom\u00e1\u0161e Raichla pak p\u0159\u00edtomn\u00fdm odhalila ohromnou \u0161\u00ed\u0159i a spektrum toho, co bylo v\u00a0Terez\u00edn\u011b vytvo\u0159eno.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IMG_20241211_181524<\/div>
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Franz Kafka jako cestovatel a sportovec<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Novin\u00e1\u0159ka Judita Maty\u00e1\u0161ov\u00e1 u n\u00e1s nehostovala poprv\u00e9. V\u00a0\u00fater\u00fd 3. prosince 2024 p\u0159edstavila osobnost Franze Kafky tak z\u00a0trochu jin\u00e9ho \u00fahlu. Vych\u00e1zela ze sv\u00e9 knihy, kterou vydala s\u00a0fotografem Janem Jindrou a nazvali ji spole\u010dn\u011b s\u00a0Kafkou na cest\u00e1ch. Nal\u00e1k\u00e1 v\u00e1s alespo\u0148 si ji prolistovat po p\u0159e\u010dten\u00ed \u00faryvku Kafkova textu na p\u0159eds\u00e1dce: \u201eSed\u011bt tak v\u00a0\u017eelezni\u010dn\u00edm vagon\u011b, zapomenout na to, \u017e\u00edt jako doma, n\u00e1hle rozpomenout, poc\u00edtit un\u00e1\u0161ivou s\u00edlu vlaku, st\u00e1t se cestuj\u00edc\u00edm, vyndat z\u00a0kufru \u010depici, chovat se ke spolucestuj\u00edc\u00edm svobodn\u011bji, srde\u010dn\u011bji, d\u016frazn\u011bji, b\u00fdt bez z\u00e1sluhy un\u00e1\u0161en k\u00a0c\u00edli, vn\u00edmat to jako d\u00edt\u011b, st\u00e1t se mil\u00e1\u010dkem \u017een, podlehnout p\u0159ita\u017eliv\u00e9 s\u00edle okna, m\u00edt st\u00e1le alespo\u0148 ruku vysunutou p\u0159es okenn\u00ed r\u00e1m\u2026\u201c<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IMG_20241203_182703\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Tantehorse: Invisible I.\/Hannah<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Autobiografick\u00e9 p\u0159edstaven\u00ed o nev\u0161edn\u00ed here\u010dce a zp\u011bva\u010dce Han\u011b Frejkov\u00e9 jako archeologie osobn\u00ed minulosti<\/em><\/p>

Ve spolupr\u00e1ci s\u00a0brn\u011bnsk\u00fdm HaDivadlem se n\u00e1m 27. listopadu 2024 poda\u0159ilo spole\u010dn\u011b splnit jedno p\u0159\u00e1n\u00ed \u2013 pan\u00ed Hanka Frejkov\u00e1, kter\u00e1 sv\u016fj osud i p\u0159\u00edb\u011bh sv\u00e9 rodiny zpracovala v\u00a0knize Divn\u00fd ko\u0159eny, si p\u0159\u00e1la sv\u016fj p\u0159\u00edb\u011bh p\u0159edstavit brn\u011bnsk\u00e9mu publiku. Jej\u00ed v\u00fdjime\u010dn\u00fd \u017eivot o nezlomn\u00e9m hled\u00e1n\u00ed vlastn\u00edho m\u00edsta ve sv\u011bt\u011b, vzpom\u00ednky na d\u011btstv\u00ed a vztah s\u00a0maminkou, vt\u00e1hly publikum do jej\u00edho nitern\u011b zpracovan\u00e9ho p\u0159\u00edb\u011bhu, kter\u00fd tvo\u0159ily i v\u00fdrazov\u00e9 kreace tane\u010dnice Mark\u00e9ty Jandov\u00e9, kter\u00e9 je\u0161t\u011b podtrhly zvl\u00e1\u0161tnost tohoto \u017eivotn\u00edho osudu. Dlouh\u00fd potlesk a z\u00e1v\u011bre\u010dn\u00e1 beseda s\u00a0hlavn\u00ed protagonistkou potvrdily, \u017ee nab\u00eddnout toto p\u0159edstaven\u00ed i brn\u011bnsk\u00e9mu publiku, bylo spr\u00e1vn\u00fdm rozhodnut\u00edm.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IMG_20241127_204906\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Pavel Kosat\u00edk: Podnik\u00e1n\u00ed pod Davidovou hv\u011bzdou<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Na \u010dtvrtek 31. \u0159\u00edjna 2024 jsme napl\u00e1novali p\u0159edstaven\u00ed knihy Pavla Kosat\u00edka nazvan\u00e9 Podnik\u00e1n\u00ed pod Davidovou hv\u011bzdou do jedn\u00e9 z\u00a0brn\u011bnsk\u00fdch vil \u2013 vily L\u00f6w-Beer na Drobn\u00e9ho ulici. Jak ji\u017e s\u00e1m n\u00e1zev knihy napov\u00edd\u00e1, jde o zpracov\u00e1n\u00ed \u017eivotn\u00edch p\u0159\u00edb\u011bh\u016f \u017eidovsk\u00fdch rodin, kdy nejenom brn\u011bn\u0161t\u00ed Tugendhatov\u00e9 a L\u00f6w-Beerov\u00e9, ale i pra\u017e\u0161t\u00ed Kolbenov\u00e9, Bondyov\u00e9 a Petschkov\u00e9, chrudim\u0161t\u00ed Popperov\u00e9 a dal\u0161\u00ed podstatn\u011b p\u0159isp\u011bli k\u00a0pr\u016fmyslov\u00e9mu rozkv\u011btu a \u0161\u00ed\u0159en\u00ed dobr\u00e9ho jm\u00e9na prvn\u00ed republiky. Besedu vedla histori\u010dka T\u00e1\u0148a Klementov\u00e1. D\u00edk pat\u0159\u00ed Muzeu Brn\u011bnska, kter\u00e9 zap\u016fj\u010dilo historick\u00e9 prostory vily a spolupod\u00edlelo se na organizaci cel\u00e9ho ve\u010dera.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Pot\u0159ebuje mor\u00e1lka a etika n\u00e1bo\u017eenstv\u00ed?\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ve st\u0159edu 23. \u0159\u00edjna 2024 jsme p\u0159iv\u00edtali na sv\u011bt knihu stejn\u00e9ho n\u00e1zvu. Uvedli jsme ji t\u011bmito slovy:<\/p>

Profesor jadern\u00e9 chemie, RNDr. Ji\u0159\u00ed H\u00e1la, \u010dlen \u017didovsk\u00e9 obce Brno a tak\u00e9 jeden z posledn\u00edch p\u0159e\u017eiv\u0161\u00edch, kter\u00fd str\u00e1vil jako d\u00edt\u011b t\u0159i roky v Terez\u00edn\u011b, vyd\u00e1v\u00e1 novou, v po\u0159ad\u00ed ji\u017e p\u00e1tou knihu. Na rozd\u00edl od t\u011bch prvn\u00edch, odborn\u00fdch, v nich\u017e se zam\u011b\u0159il na radioaktivitu, up\u0159el v posledn\u00edch knih\u00e1ch sv\u016fj zrak p\u0159edev\u0161\u00edm k toxick\u00e9 pozornosti, j\u00ed\u017e v\u011bnovala v minulosti katolick\u00e1 c\u00edrkev \u201ed\u011btem Jeruzal\u00e9ma\u201c.<\/p>

Knihu Pot\u0159ebuje mor\u00e1lka a etika n\u00e1bo\u017eenstv\u00ed?<\/em> sestavil jako editor z \u00favah dev\u00edti anglosask\u00fdch filosof\u016f a jednoho l\u00e9ka\u0159e. Odpov\u011b\u010f nen\u00ed, u\u017e podle toho, jak je n\u00e1zev knihy postaven, t\u011b\u017ek\u00e9 odhadnout. Eseje obsa\u017een\u00e9 v knize ale nut\u00ed \u010dten\u00e1\u0159e uva\u017eovat o t\u00e9matu v \u0161ir\u0161\u00edch souvislostech, ne\u017e je b\u011b\u017en\u00e9.<\/p>

S Ji\u0159\u00edm H\u00e1lou besedoval, \u010detl uk\u00e1zky a ot\u00e1zky kladl vydavatel Martin Reiner.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Obalka<\/div>
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Pan prezident v Mal\u00e9m Mehrinu<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\u010ctvrtek 10. 10. 2024 byl pro Mal\u00fd Mehrin, pota\u017emo pro cel\u00fd projekt vzniku Moravsk\u00e9ho \u017eidovsk\u00e9ho muzea Mehrin, mimo\u0159\u00e1dn\u00fdm datem. P\u0159i sv\u00e9
cest\u011b na ji\u017en\u00ed Moravu k n\u00e1m v \u010dasn\u00e9m dopoledni zav\u00edtal pan prezident Petr Pavel. Str\u00e1vil na V\u00edde\u0148sk\u00e9 bezm\u00e1la hodinu, zhl\u00e9dl kr\u00e1tk\u00fd film o vzniku Mal\u00e9ho Mehrinu a s v\u011brohodn\u00fdm z\u00e1jmem si tak\u00e9 prohl\u00e9dl v\u0161echny expozice. Nejv\u00edc ho zaujal architektonick\u00fd n\u00e1vrh budouc\u00edho muzea a vyslovil my\u0161lenku, \u017ee nejen m\u011bsto Brno, ale cel\u00fd moravsk\u00fd region by si zaslou\u017eily takto presti\u017en\u00ed stavbu, kter\u00e1 by se v budoucnu mohla st\u00e1t
l\u00e1kadlem pro turisty jak z hlediska architektonick\u00e9ho, tak i obsahov\u00e9ho. Autorkou fotografi\u00ed je Monika Hlav\u00e1\u010dov\u00e1.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"prezident<\/div>
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\"prezident<\/div>
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\"prezident<\/div>
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\"prezident<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vliv velk\u00fdch d\u011bjin na osudy \u017did\u016f v dob\u011b \u0161oa na p\u0159\u00edkladu Miroslavi<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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P\u0159edn\u00e1\u0161ku na st\u0159edu 9. \u0159\u00edjna p\u0159ipravil Ale\u0161 Bedna\u0159\u00edk, kter\u00fd v Miroslavi \u017eije od roku 1999. Od t\u00e9 doby se s r\u016fznou intenzitou soukrom\u011b v\u011bnuje b\u00e1d\u00e1n\u00ed po osudech miroslavsk\u00fdch ob\u011bt\u00ed \u0161oa. Debatu s n\u00edm vedla histori\u010dka T\u00e1\u0148a Klementov\u00e1 a pozorn\u00fdmi poslucha\u010di byli nejenom pravideln\u00ed n\u00e1v\u0161t\u011bvn\u00edci na\u0161ich p\u0159edn\u00e1\u0161ek, ale i n\u011bkte\u0159\u00ed obyvatel\u00e9 Miroslavi, kte\u0159\u00ed v\u00e1\u017eili do Brna cestu a necht\u011bli si nechat uj\u00edt pov\u00edd\u00e1n\u00ed o b\u00fdval\u00fdch sousedech…<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Miroslav<\/div>
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\"Miroslav\"<\/div>
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\"Miroslav<\/div>
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\"Miroslav<\/div>
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<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/article><\/section>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Obr\u00e1zky z Terez\u00edna 1942-1943; Kreslen\u00fd den\u00edk Gisely Rottonara<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Obr\u00e1zky z Terez\u00edna 1942-1943; Kreslen\u00fd den\u00edk Gisely Rottonara P\u0159\u00edjemn\u00fdm a podn\u011btn\u00fdm se stalo setk\u00e1n\u00ed 23. z\u00e1\u0159\u00ed p\u0159i p\u0159\u00edle\u017eitosti otev\u0159en\u00ed nov\u00e9 v\u00fdstavy, kterou n\u00e1m zap\u016fj\u010dil Institut f\u00fcr j\u00fcdische Geschichte \u00d6sterreichs z rakousk\u00e9ho St. P\u00f6ltenu. Jedn\u00e1 se o kresby pan\u00ed Gisely Rottonara, sedmdes\u00e1tilet\u00e9 mal\u00ed\u0159ky, kter\u00e1 na listech sv\u00e9ho bloku zachycovala sv\u00e9 dojmy, terez\u00ednsk\u00e1 z\u00e1kout\u00ed i tv\u00e1\u0159e lid\u00ed. Po necel\u00fdch \u0161esti m\u011bs\u00edc\u00edch v ghettu um\u00edr\u00e1, ale den\u00edk p\u0159ed svou smrt\u00ed sv\u011b\u0159uje sv\u00e9 spoluv\u011bzenkyni, kter\u00e1 pak vrac\u00ed soubor kreseb jej\u00ed rodin\u011b. Rodina kresby bedliv\u011b n\u011bkolik des\u00edtek let st\u0159e\u017e\u00ed a a\u017e n\u00e1hodn\u00e9 setk\u00e1n\u00ed pracovn\u00edka institutu v nemocni\u010dn\u00edm prost\u0159ed\u00ed s jednou z jej\u00edch \u010dlenek dovol\u00ed n\u00e1sledn\u011b kresb\u00e1m p\u0159edstavit se i ve\u0159ejnosti…<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Terez\u00edn<\/div>
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\"Terez\u00edn<\/div>
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\"Terez\u00edn\"<\/div>
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\"Terez\u00edn<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Zakon\u010den\u00ed v\u00fdstavy M\u00edsta, kde byly moravsk\u00e9 svitky T\u00f3ry doma - se Sheilou\nPallay<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Na \u00fater\u00fd 17. z\u00e1\u0159\u00ed 2024 jsme pozvali pan\u00ed Sheilu Pallay, dobrovolnici lond\u00fdnsk\u00e9ho Memorial Scrolls Trust, kter\u00e1 obohatila v\u00fdstavu sv\u00fdmi fotografiemi. Ta v dialogu s autorem t\u00e9to v\u00fdstavy Juliem M\u00fcllerem mj. \u0159ekla: „V okam\u017eiku, kdy jsem se dotkla T\u00f3ry star\u00e9 250 let, zachr\u00e1n\u011bn\u00e9 z \u010cech, poc\u00edtila jsem n\u00e1hl\u00e9, ne\u010dekan\u00e9 a velmi siln\u00e9 osobn\u00ed spojen\u00ed s minul\u00fdmi generacemi. S t\u011bmi, kte\u0159\u00ed dr\u017eeli ve sv\u00fdch rukou pr\u00e1v\u011b tuto T\u00f3ru. Recitovali z n\u00ed. L\u00edbali ji. A nosili ji s hrdost\u00ed kolem sv\u00e9 synagogy. Toto byl prvotn\u00ed podn\u011bt, kter\u00fd m\u011b p\u0159ivedl k my\u0161lence uskute\u010dnit pou\u0165 s fotoapar\u00e1tem a objevovat, co \u017eidovsk\u00e9ho zbylo v \u010desk\u00fdch zem\u00edch, tj. v \u010cech\u00e1ch, na Morav\u011b a ve Slezsku…<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Sheila<\/div>
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\"Sheila<\/div>
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\"Sheila<\/div>
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\"Sheila<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Otev\u0159en\u00ed st\u00e1l\u00e9 3D v\u00fdstavy ve sklepn\u00edch prostor\u00e1ch na V\u00edde\u0148sk\u00e9<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V pond\u011bl\u00ed 13. kv\u011btna jsme nejen za p\u0159\u00edtomnosti delegace z \u017didovsk\u00e9ho muzea v Praze otev\u0159eli o\u010dek\u00e1vanou v\u00fdstavu, kter\u00e1 zabydlela i na\u0161e dosud nevyu\u017eit\u00e9 sklepn\u00ed prostory. Pozvan\u00ed host\u00e9 si mohli zbl\u00edzka prohl\u00e9dnout nap\u0159. hologramy ritu\u00e1ln\u00edch p\u0159edm\u011bt\u016f mikulovsk\u00e9ho poh\u0159ebn\u00edho bratrstva Chevra kadi\u0161a, \u010di purimovou masku v 3D podob\u011b nalezenou v roce 2003 v gen\u00edze hole\u0161ovsk\u00e9 synagogy. P\u0159\u00edtomn\u00e9 zaujala i interaktivn\u00ed dotykov\u00e1 obrazovka, na kter\u00e9 si mohli samostatn\u011b slo\u017eit \u0161t\u00edt na T\u00f3ru \u010di zkusit hledat ukryt\u00e9 p\u0159edm\u011bty v p\u0159ipraven\u00e9 interaktivn\u00ed h\u0159e, i prohl\u00e9dnout mnoh\u00e9 informativn\u00ed panely, kter\u00e9 v nov\u00e9 v\u00fdstav\u011b tak\u00e9 nechyb\u00ed. Ot\u00e1zky, kter\u00fdch bylo bezpo\u010det, se pak prob\u00edraly u ob\u010derstven\u00ed a v\u00edna, kter\u00e9 na \u017e\u00e1dn\u00e9 vernis\u00e1\u017ei nesm\u011bj\u00ed chyb\u011bt…<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"24-0109-167-170-nahled\"<\/div>
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\"24-0109-201-nahled\"<\/div>
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\"24-0109-386-nahled\"<\/div>
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\"24-0109-235-nahled\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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B\u00edl\u00e1 m\u00edsta \u017eidovsk\u00e9 Moravy a Slezska<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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U\u017e v sobotu 11. kv\u011btna v podve\u010der se do Brna sjela \u010d\u00e1st \u00fa\u010dastn\u00edk\u016f konference B\u00edl\u00e1 m\u00edsta \u017eidovsk\u00e9 Moravy a Slezska a u spole\u010dn\u00e9 ve\u010de\u0159e
n\u011bkter\u00e1 t\u00e9mata probrala. „V\u017edy\u0165 dlouholet\u00fd deficit v\u00fdzkumu prim\u00e1rn\u00edch pramen\u016f nab\u00edz\u00ed nov\u00e9 generaci historik\u016f ne\u010dekan\u011b rozs\u00e1hl\u00e9 mo\u017enosti, jak
p\u0159em\u00fd\u0161let o na\u0161\u00ed minulosti bez star\u00fdch kli\u0161\u00e9 a p\u0159edsudk\u016f. Chceme se spole\u010dn\u011b s v\u00e1mi zamyslet nad konkr\u00e9tn\u00edmi lokalitami, ale tak\u00e9 nad
n\u011bkter\u00fdmi interpreta\u010dn\u00edmi narativy“ – st\u00e1lo v na\u0161\u00ed pozv\u00e1nce. A tak p\u0159ihl\u00e1\u0161en\u00ed \u00fa\u010dastn\u00edci od ned\u011bln\u00edho r\u00e1na p\u0159edstavovali odborn\u00e9 p\u0159\u00edsp\u011bvky
nejen koleg\u016fm, kte\u0159\u00ed se sjeli z cel\u00e9 republiky, ale tak\u00e9 z\u00e1jemc\u016fm z \u0159ad ve\u0159ejnosti. D\u016fstojn\u00e9 prostory ke kon\u00e1n\u00ed poskytla sp\u0159\u00edzn\u011bn\u00e1 Masarykova
univerzita, a zcela zapln\u011bn\u00fd p\u0159edn\u00e1\u0161kov\u00fd s\u00e1l vyslechl i Michaela L. Millera z Central European University ve V\u00eddni, kter\u00fd hovo\u0159il na t\u00e9ma
Morav\u0161t\u00ed \u017did\u00e9: evropsk\u00e1 perspektiva. R\u00e1di bychom v dal\u0161\u00edch letech uskute\u010dnili i konference navazuj\u00edc\u00ed…<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"20240511_182639\"<\/div>
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\"20240511_183651\"<\/div>
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\"20240512_110727\"<\/div>
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\"20240512_111107\"<\/div>
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\u017didovsk\u00e9 h\u0159bitovy a poh\u0159ebn\u00ed ritu\u00e1ly podle Achaba Haidlera<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Osobit\u00e9ho vyprav\u011b\u010de Jaroslava Achaba Haidlera jsme pozvali na \u00fater\u00fd 14. kv\u011btna 2024 do inspirativn\u00edch prostor Caf\u00e9 Kapr\u00e1l, aby poslucha\u010d\u016fm p\u0159edstavil svoji knihu \u017didovsk\u00e9 h\u0159bitovy a poh\u0159b\u00edv\u00e1n\u00ed, kter\u00e1 byla na m\u00edst\u011b tak\u00e9 k zakoupen\u00ed. Kdo tro\u0161ku zn\u00e1 Achabovu osobnost v\u00ed, \u017ee rozhodn\u011b nedostane porci such\u00e9ho v\u00fdkladu bez emoc\u00ed, ale prav\u00fd opak. Mno\u017estv\u00ed informac\u00ed bylo p\u0159\u00edtomn\u00fdm p\u0159edlo\u017eeno \u0161\u0165avnat\u00fdm a n\u00e1zorn\u00fdm zp\u016fsobem, co\u017e ostatn\u011b dokl\u00e1d\u00e1 i p\u0159ilo\u017een\u00e1 fotodokumentace. V\u0161ichni odch\u00e1zeli spokojeni i proto, \u017ee se jim dostalo odpov\u011bdi na ka\u017edou polo\u017eenou ot\u00e1zku, a to i kdykoliv v pr\u016fb\u011bhu p\u0159edn\u00e1\u0161ky.\u00a0Foto: Roman A. Musel\u00edk a Jitka Kr\u00e1lov\u00e1.<\/i><\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IMG_20240514_210018u1_web<\/div>
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\"20240514_204055<\/div>
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\"20240514_192029<\/div>
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\"20240514_203725<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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M\u00edsta, kde byly moravsk\u00e9 svitky T\u00f3ry doma; 1942-1964-2019<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V pond\u011bl\u00ed 6. kv\u011btna 2024 jsme zah\u00e1jili vernis\u00e1\u017e\u00ed novou v\u00fdstavu nazvanou M\u00edsta, kde byly moravsk\u00e9 svitky T\u00f3ry doma; 1942-1964-2019. Jej\u00ed autor,
Julius M\u00fcller, ji tak explicitn\u011b pojmenoval proto, \u017ee v roce 1942 do\u0161lo nacisty k zabaven\u00ed a svozu T\u00f3r z kongregac\u00ed na cel\u00e9m na\u0161em \u00fazem\u00ed na
svozov\u00e9 m\u00edsto v Praze. Odtud velkou \u010d\u00e1st v roce 1964 odprodal komunistick\u00fd re\u017eim do Lond\u00fdna, kde byl z\u0159\u00edzen Nada\u010dn\u00ed fond (Memorial
Scrolls Trust), kter\u00fd m\u011bl zanikl\u00e9 p\u0159edv\u00e1le\u010dn\u00e9 \u017eidovsk\u00e9 obce p\u0159ipom\u00ednat. V roce 2019 podnikl autor v\u00fdstavy spole\u010dn\u011b s fotografkou a dobrovolnic\u00ed
fondu Sheilou Pallay putov\u00e1n\u00ed po sou\u010dasn\u00fdch m\u00edstech, …kde byly moravsk\u00e9 svitky T\u00f3ry doma… V\u00fdstavu tvo\u0159\u00ed 13 ks panel\u016f, kter\u00e9 je mo\u017eno po ukon\u010den\u00ed v\u00fdstavy v z\u00e1\u0159\u00ed 2024 u n\u00e1s, zap\u016fj\u010dit p\u0159\u00edpadn\u00fdm z\u00e1jemc\u016fm k dal\u0161\u00edmu vystaven\u00ed.<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"20240506_181126\"<\/div>
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\"20240506_181328\"<\/div>
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\"20240506_182057\"<\/div>
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\"20240506_184658\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Fioretta 28. dubna 2024 v kin\u011b Art<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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P\u0159esto\u017ee byla slunn\u00e1 ned\u011ble, p\u0159i\u0161lo v pozdn\u00ed odpoledne na prom\u00edt\u00e1n\u00ed filmu Fioretta do kina Art hodn\u011b z\u00e1jemc\u016f. L\u00e1kadlem byla i p\u0159isl\u00edben\u00e1 osobn\u00ed \u00fa\u010dast jeho hlavn\u00edho protagonisty – Randyho Schoenberga. Ten vzal s sebou na cestu do Evropy sv\u00e9ho t\u00e9m\u011b\u0159 dosp\u011bl\u00e9ho syna, kter\u00fd se nat\u00e1\u010den\u00ed filmu z\u00fa\u010dastnil tak\u00e9.\u00a0Americk\u00fd re\u017eis\u00e9r Matthew Mishory ve filmu p\u0159edstavuje kus historie vid\u011bn\u00fd optikou rodinn\u00e9ho p\u0159\u00edb\u011bhu pr\u00e1v\u011b Randola „Randy“ Schoenberga, kter\u00fd je vnukem rakousko-americk\u00e9ho skladatele klasick\u00e9 hudby Arnolda Schoenberga, ale tak\u00e9 je od d\u011btstv\u00ed p\u0159\u00edmo posedl\u00fd genealogi\u00ed. Ve filmov\u00e9m cestopisu k\u0159i\u017euj\u00ed Randy a jeho syn Joey Prahu, V\u00edde\u0148 nebo Ben\u00e1tky a postupn\u011b odhaluj\u00ed fascinuj\u00edc\u00ed detaily \u017eidovsk\u00e9 minulosti sv\u00e9 rodiny…<\/span><\/div><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"Fioretta2\"<\/div>
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\"Fioretta5\"<\/div>
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\"Fioretta3\"<\/div>
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\"Fioretta1\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ob\u010dan\u00e9 zem\u011b nikoho. Neviditeln\u00ed\nuprchl\u00edci roku 1938.<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Neviditeln\u00ed uprchl\u00edci roku 1938 Jedn\u00edm z t\u00e9mat, kter\u00fdm se historik Michal Frankl dlouhodob\u011b zab\u00fdv\u00e1, je osud \u017eidovsk\u00fdch uprchl\u00edk\u016f, kter\u00e9 jedna zem\u011b zbavila ob\u010danstv\u00ed a vyhnala \u2013 a jin\u00e1 zem\u011b nep\u0159ijala. Jeho p\u0159edn\u00e1\u0161ka tematicky vych\u00e1zela z knihy Ob\u010dan\u00e9 zem\u011b nikoho: Uprchl\u00edci a pohybliv\u00e9 hranice st\u0159edov\u00fdchodn\u00ed Evropy 1938\u20131939, kterou napsal a kterou budete ji\u017e jen obt\u00ed\u017en\u011b sh\u00e1n\u011bt. Vypr\u00e1v\u00ed t\u00e9m\u011b\u0159 nezn\u00e1m\u00fd p\u0159\u00edb\u011bh \u017eidovsk\u00fdch uprchl\u00edk\u016f z let 1938-1939, kte\u0159\u00ed \u017eili, \u010di mnohem sp\u00ed\u0161e \u017eivo\u0159ili v \u00fazem\u00ed nikoho, v les\u00edch a narychlo zbudovan\u00fdch slumech; nikdo o n\u011b nest\u00e1l.<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"20240415_180733\"<\/div>
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\"20240415_180856\"<\/div>
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\"20240415_180955\"<\/div>
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\"20240415_181053\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Na chleb\u00ed\u010dek U Hahn\u016f<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V r\u00e1mci \u00favah nad budouc\u00ed expozic\u00ed muzea Mehrin pracujeme ji\u017e nyn\u00ed s r\u016fzn\u00fdmi moravsk\u00fdmi \u017eidovsk\u00fdmi p\u0159\u00edb\u011bhy. Jeden takov\u00fd ve \u010dtvrtek 4. dubna 2024 zazn\u011bl v\u00a0Mal\u00e9m Mehrinu, kde erudovan\u011b diskutovala T\u00e1\u0148a Klementov\u00e1 s prof. Ji\u0159\u00edm H\u00e1lou, vnukem brn\u011bnsk\u00fdch lah\u016fdk\u00e1\u0159\u016f Hahnov\u00fdch, kter\u00fd o sob\u011b \u0159\u00edk\u00e1, \u017ee pat\u0159\u00ed k\u00a0jedn\u00e9 a p\u016flt\u00e9 generaci pam\u011btn\u00edk\u016f. V Terez\u00edn\u011b byl v\u011bzn\u011bn v d\u011btsk\u00e9m v\u011bku. M\u011bl to \u0161t\u011bst\u00ed, \u017ee v\u011bt\u0161inu doby str\u00e1ven\u00e9 v ghettu str\u00e1vil po boku maminky. Vr\u00e1til se po v\u00e1lce dom\u016f s ob\u011bma rodi\u010di, co\u017e z\u00e1sadn\u011b ovlivnilo jeho vlastn\u00ed reflexi holokaustu. Tu dopl\u0148oval \u00favahou nad t\u00edm, co pro\u017e\u00edvali jeho rodi\u010de a prarodi\u010de, vystaven\u00ed situac\u00edm daleko slo\u017eit\u011bj\u0161\u00edm. Vypr\u00e1v\u011bn\u00ed p\u0159\u00edb\u011bh\u016f Hahnov\u00fdch a Herschmannov\u00fdch dopl\u0148oval bohat\u00fd obrazov\u00fd materi\u00e1l z rodinn\u00e9ho archivu. Diskutovan\u00e1 t\u00e9mata se dot\u00fdkala tak\u00e9 pov\u00e1le\u010dn\u00e9ho obdob\u00ed i profesn\u00edho a osobn\u00edho \u017eivota pana H\u00e1ly a\u017e do dne\u0161n\u00edch dn\u016f. D\u00edky za p\u0159\u00edjemnou spole\u010dnost!<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"24-0065-006-nahled\"<\/div>
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\"24-0065-033-nahled\"<\/div>
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\"24-0065-043-nahled\"<\/div>
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\"24-0065-089-nahled\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Genealogick\u00e9 b\u00e1d\u00e1n\u00ed \u2013 cesta tam a zase zp\u00e1tky\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Na pond\u011bl\u00ed 25. b\u0159ezna jsme pozvali zakladatele a sou\u010dasn\u00e9ho \u0159editele spole\u010dnosti Toledot (hebrejsky generace) – centra pro \u017eidovskou genealogii v Praze Juliuse M\u00fcllera. Ten nejen p\u0159edn\u00e1\u0161\u00ed, ale tak\u00e9 publikuje na t\u00e9ma \u017eidovsk\u00e9 genealogie, v\u011bdy, kter\u00e1 zkoum\u00e1 vztahy mezi jedinci vypl\u00fdvaj\u00edc\u00ed z jejich spole\u010dn\u00e9ho rodov\u00e9ho p\u016fvodu. Aktivn\u011b prov\u00e1d\u00ed b\u00e1d\u00e1n\u00ed pro ty, kte\u0159\u00ed se cht\u011bj\u00ed o sv\u00fdch p\u0159edc\u00edch dozv\u011bd\u011bt v\u00edce. Na p\u0159edn\u00e1\u0161ce se tak se\u0161li ti, kter\u00e9 ot\u00e1zka vyhled\u00e1v\u00e1n\u00ed podklad\u016f p\u0159edev\u0161\u00edm v archivech zaj\u00edm\u00e1, proto padala \u0159ada konkr\u00e9tn\u00edch ot\u00e1zek jak v pr\u016fb\u011bhu p\u0159edn\u00e1\u0161ky, tak i po jej\u00edm ofici\u00e1ln\u00edm skon\u010den\u00ed.<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Rodinn\u00e1 d\u011bdictv\u00ed<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Jak je mo\u017en\u00e9 nakl\u00e1dat s rodinn\u00fdm d\u011bdictv\u00edm, kter\u00e9 n\u00e1m bylo d\u00e1no do v\u00ednku, se v pond\u011bl\u00ed 11. b\u0159ezna 2024 rozpov\u00eddaly dv\u011b pozvan\u00e9 d\u00e1my – Eva Lustigov\u00e1, dcera spisovatele Arno\u0161ta Lustiga, kter\u00e1 p\u0159edstavila knihu o sv\u00e9m otci nazvanou Arno\u0161tova cesta, ale i dal\u0161\u00ed projekty, jimi\u017e rozv\u00edj\u00ed odkaz sv\u00e9ho otce. Druhou pozvanou byla Karen Kruger, \u017eij\u00edc\u00ed v USA, vnu\u010dka brn\u011bnsk\u00e9 rodiny T\u00fcrklov\u00fdch, kter\u00e1 s des\u00edtkami dopis\u016f, kter\u00e9 se k n\u00ed v r\u00e1mci d\u011bdictv\u00ed dostaly, nav\u0161t\u011bvuje \u0161koly nejen v USA, ale i u n\u00e1s a je pozitivn\u011b p\u0159ekvapena, jak origin\u00e1ly p\u00edsemnost\u00ed, kter\u00e9 p\u016fj\u010duje, u student\u016f vyvol\u00e1vaj\u00ed ne\u010dekan\u00e9 emoce. V\u011bnovat se tomuto t\u00e9matu a pozvat ob\u011b \u017eeny bylo n\u00e1padem histori\u010dky T\u00e1ni Klementov\u00e9, kter\u00e1 celou besedu zku\u0161en\u011b moderovala. I d\u00edky n\u00ed tak do\u0161lo ke vz\u00e1jemn\u00e9mu a ojedin\u011bl\u00e9mu souzn\u011bn\u00ed publika s beseduj\u00edc\u00edmi a ob\u011b pozvan\u00e9 pak je\u0161t\u011b dlouho rozmlouvaly s jednotliv\u00fdmi n\u00e1v\u0161t\u011bvn\u00edky.<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"IMG_8139\"<\/div>
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\"IMG_8111\"<\/div>
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\"IMG_8156\"<\/div>
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\"IMG_8132\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u0160oa v \u010desk\u00e9 rozhlasov\u00e9\nh\u0159e<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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T\u00e9matu holokaustu jsme se v na\u0161ich programech v\u011bnovali ji\u017e z mnoha \u00fahl\u016f. P\u0159edn\u00e1\u0161ka P\u0159emysla Hnili\u010dky p\u0159inesla pohled trochu odli\u0161n\u00fd, zalo\u017een\u00fd na um\u011bleck\u00fdch audio nahr\u00e1vk\u00e1ch \u010ceskoslovensk\u00e9ho a posl\u00e9ze i \u010cesk\u00e9ho rozhlasu a jin\u00fdch rozhlasov\u00fdch stanic, kde se od 60. let do sou\u010dasnosti vys\u00edlaly hry autor\u016f jako byli nap\u0159. A. Lustig, D. Fischerov\u00e1, Z. Rotrekl, M. Uhde, A. Goldflam a dal\u0161\u00ed. V nich v\u00e9vodily hlasy O. Scheinpflugov\u00e9, Z.\u0160t\u011bp\u00e1nka, R. Hru\u0161\u00ednsk\u00e9ho, E. Cup\u00e1ka, J. Adam\u00edry; v t\u011bch sou\u010dasn\u00fdch pak V. Javorsk\u00e9ho, L. Vesel\u00e9ho \u010di M. T\u00e1borsk\u00e9ho a J. Plesla. Nezapome\u0148me v\u0161ak ani na brn\u011bnskou stopu v podob\u011b hlas\u016f D. Hofmanov\u00e9, L. Lakom\u00e9ho, F. Derflera \u010di J. Grygara. V\u011b\u0159\u00edme, \u017ee dal\u0161\u00ed p\u00e1tr\u00e1n\u00ed v rozhlasov\u00fdch archivech n\u00e1m odhal\u00ed mo\u017en\u00e9 skryt\u00e9 objevy, t\u0159eba i n\u011bjak\u00fd ten „moravsk\u00fd \u017eidovsk\u00fd p\u0159\u00edb\u011bh“…<\/p>\n<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"20240227_180646\"<\/div>
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\"20240227_180706\"<\/div>
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\"20240227_180731\"<\/div>
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\"20240227_190343\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hach\u0161ary v \u010ceskoslovensku<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Fenom\u00e9n hach\u0161ar – zem\u011bd\u011blsk\u00fdch v\u00fdcvikov\u00fdch center, kter\u00e1 za\u010dala v \u010ceskoslovensku vznikat ve 2O. letech minul\u00e9ho stolet\u00ed – p\u0159ijela na\u0161im n\u00e1v\u0161t\u011bvn\u00edk\u016fm v pond\u011bl\u00ed 26. \u00fanora 2024 p\u0159edstavit Daniela Bart\u00e1kov\u00e1 z Masarykova \u00fastavu a Archivu Akademie v\u011bd \u010cR. Ve velmi zaj\u00edmav\u00e9 p\u0159edn\u00e1\u0161ce dopln\u011bn\u00e9 fotografiemi se zam\u011b\u0159ila na zm\u011bnu cel\u00e9ho konceptu hach\u0161ar v souvislosti bl\u00ed\u017e\u00edc\u00ed se v\u00e1lky, a t\u00edm vyvolan\u00e9 nutnosti vyst\u011bhov\u00e1n\u00ed co nejv\u011bt\u0161\u00edho po\u010dtu \u017eidovsk\u00e9 ml\u00e1de\u017ee. Z\u00e1v\u011brem prob\u011bhla \u017eiv\u00e1 diskuze mezi p\u0159edn\u00e1\u0161ej\u00edc\u00ed a n\u00e1v\u0161t\u011bvn\u00edky, kte\u0159\u00ed m\u011bli spoustu dopl\u0148uj\u00edc\u00edch ot\u00e1zek.<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"20240226_182951\"<\/div>
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\"20240226_181754\"<\/div>
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\"20240226_180427\"<\/div>
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\"20240226_180404\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Brod a my<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pod t\u00edmto n\u00e1zvem jsme na na\u0161em Facebooku uvedli, \u017ee se m\u016f\u017eete potkat s novin\u00e1\u0159em Petrem Brodem, kter\u00fd „zn\u00e1 prakticky ka\u017ed\u00e9ho a o v\u0161ech toho dost v\u00ed“, jin\u00fdmi slovy vypr\u00e1v\u00ed poutav\u00e9 p\u0159\u00edb\u011bhy o vlastn\u00ed rozv\u011btven\u00e9 p\u0159\u00edzni i lidech, kter\u00e9 potkal na sv\u00e9 pestr\u00e9 \u017eivotn\u00ed pouti.
A p\u0159esn\u011b tohle podve\u010der v\u00a0\u00fater\u00fd 23. ledna 2024 nab\u00eddl t\u011bm, kte\u0159\u00ed nezav\u00e1hali a prostory Mal\u00e9ho Mehrinu zcela zaplnili.<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"24-0021-040-nahled\"<\/div>
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\"24-0021-041-nahled\"<\/div>
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\"24-0021-054-nahled\"<\/div>
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\"24-0021-057-nahled\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Na\u0161e domy<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Hned v prvn\u00edm t\u00fddnu nov\u00e9ho roku 2024 jsme odv\u00e1\u017en\u011b zah\u00e1jili ji\u017e 4. ledna v\u00fdstavu Na\u0161e domy. Nov\u00fd rok uk\u00e1zal, \u017ee n\u00e1v\u0161t\u011bvn\u00edci maj\u00ed z\u00e1jem pozn\u00e1vat osudy brn\u011bnsk\u00fdch dom\u016f, proto\u017ee do Mal\u00e9ho Mehrinu zav\u00edtaly des\u00edtky n\u00e1v\u0161t\u011bvn\u00edk\u016f, tak\u017ee n\u00e1zev muzea se uk\u00e1zal v tomto p\u0159\u00edpad\u011b opr\u00e1vn\u011bn\u00fdm.
Autorka v\u00fdstavy Mgr. T\u00e1\u0148a Klementov\u00e1 p\u0159edkl\u00e1d\u00e1 ve\u0159ejnosti konkr\u00e9tn\u00ed p\u0159\u00edb\u011bh osmi dom\u016f, kter\u00e9 vybrala z v\u00edce ne\u017e 700 Vyst\u011bhovaleck\u00fdm fondem arizovan\u00fdch brn\u011bnsk\u00fdch dom\u016f. Ty jsou dopln\u011bny velkoplo\u0161nou mapou Brna, na kter\u00e9 jsou barevn\u00fdmi body vyzna\u010deny v\u0161echny domy, kter\u00fdch se „odkoupen\u00ed“ t\u00fdkalo. Nechyb\u00ed ani bohat\u00fd doprovodn\u00fd fotografick\u00fd a dokumenta\u010dn\u00ed materi\u00e1l k jednotliv\u00fdm dom\u016fm i p\u00edsemnosti doprov\u00e1zej\u00edc\u00ed samotn\u00fd proces arizace. Ostatn\u011b, p\u0159ij\u010fte se pod\u00edvat sami. V\u00fdstava potrv\u00e1 do 27. b\u0159ezna 2024.<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Na\u0161e<\/div>
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\"Na\u0161e<\/div>
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\"Na\u0161e<\/div>
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\"Na\u0161e<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Labyrint normalizace v n\u00e1s<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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T\u00e9ma normaliza\u010dn\u00ed proti\u017eidovsk\u00e9 propagandy bylo obsahem brn\u011bnsk\u00e9 p\u0159edn\u00e1\u0161ky Martina \u0160moka, autora v\u00fdstavy a stejnojmenn\u00e9 knihy \u017didovsk\u00e9ho
muzea v Praze \u2013 Labyrintem normalizace. V jeho bohat\u00fdch obrazov\u00fdch i audiovizu\u00e1ln\u00edch materi\u00e1lech se najde mnoho podklad\u016f dosud nezve\u0159ejn\u011bn\u00fdch, kter\u00fdmi pom\u00e1h\u00e1 rozkr\u00fdvat m\u00edsta i situace dosud neobjeven\u00e9. D\u00edky mu za to!<\/p>\n<\/div>\n<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Labyrint<\/div>
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\"Labyrint\"<\/div>
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Korespondence E+I<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pod t\u00edmto pov\u011bdom\u011b zn\u011bj\u00edc\u00edm n\u00e1zvem se ve \u010dtvrtek 14. prosince uskute\u010dnila p\u0159edn\u00e1\u0161ka, kter\u00e1 byla jako u\u0161it\u00e1 do pr\u00e1v\u011b prob\u00edhaj\u00edc\u00ed v\u00fdstavy fotografi\u00ed Freda Iltise. P\u0159edn\u00e1\u0161ej\u00edc\u00ed T\u00e1\u0148a Klementov\u00e1 do n\u00ed p\u0159ipravila p\u0159eklady dopis\u016f, kter\u00e9 si vym\u011b\u0148ovali p\u00e1nov\u00e9 Albert Einstein a Hugo Iltis (co\u017e byl tat\u00ednek Freda) p\u0159es oce\u00e1n. Do p\u0159ed\u010d\u00edt\u00e1n\u00ed dopis\u016f zapojila i p\u0159\u00edtomn\u00e9\u2026<\/p><\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"Korespondence<\/div>
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\"Korespondence<\/div>
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\"Korespondence<\/div>
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Izrael a Gaza v souvislostech\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V p\u0159\u00edpad\u011b izraelsko-palestinsk\u00e9ho konfliktu se bav\u00edme o konfliktu, kter\u00fd v uplynul\u00fdch dek\u00e1d\u00e1ch nab\u00fdval \u010detn\u00fdch podob, ale nikdy bohu\u017eel neztratil svou potenci. I p\u0159esto byl sv\u011bt \u0161okov\u00e1n brutalitou a zv\u011brstvy, kter\u00fdch se terorist\u00e9 z palestinsk\u00e9ho hnut\u00ed Ham\u00e1s dopustili 7. \u0159\u00edjna na izraelsk\u00fdch ob\u010danech na \u00fazem\u00ed Izraele. Kupodivu, i v \u010d\u00e1sti Evropy, k n\u00edm\u017e pat\u0159\u00edme a chceme n\u00e1le\u017eet, se na\u0161lo velk\u00e9 mno\u017estv\u00ed lid\u00ed, kte\u0159\u00ed t\u011bmto \u010din\u016fm aplaudovali. Takov\u00e1 reakce p\u0159in\u00e1\u0161\u00ed \u00fadiv, rozho\u0159\u010den\u00ed, ale tak\u00e9 spoustu ot\u00e1zek, na n\u011b\u017e nen\u00ed snadn\u00e9 nach\u00e1zet odpov\u011bdi. Proto jsme si pozvali do Mal\u00e9ho Mehrinu na V\u00edde\u0148skou odborn\u00edky, kte\u0159\u00ed maj\u00ed k v\u011bci hodn\u011b co \u0159\u00edct. Politolo\u017eku Mgr. Evu Taterovou, M.A., Ph.D., kter\u00e1 pracuje v \u00dastavu pro soudob\u00e9 d\u011bjiny AV a p\u0159edn\u00e1\u0161\u00ed na Masarykov\u011b univerzit\u011b, a plukovn\u00edka gener\u00e1ln\u00edho \u0161t\u00e1bu doc. Mgr. Ing. Libora Kut\u011bje, Ph.D., kter\u00fd je \u0159editelem \u00dastavu zpravodajsk\u00fdch studi\u00ed Univerzity obrany a b\u00fdval\u00fdm d\u016fstojn\u00edkem zpravodajsk\u00e9 slu\u017eby, jen\u017e p\u016fsobil t\u0159i roky jako vojensk\u00fd p\u0159id\u011blenec na velvyslanectv\u00ed \u010cesk\u00e9 republiky v Izraeli.
D\u011bkovn\u00e9 reakce, kter\u00e9 n\u00e1m od \u00fa\u010dastn\u00edk\u016f besedy p\u0159i\u0161ly, sv\u011bd\u010d\u00ed o tom, \u017ee tohle setk\u00e1n\u00ed m\u011blo smysl.<\/div><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\"20231101_185612\"<\/div>
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\"20231101_185711\"<\/div>
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\"20231101_181211\"<\/div>
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\"20231101_185639\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ochutn\u00e1vka ko\u0161er v\u00edn\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ji\u017e podruh\u00e9 v tomto roce jsme na mnoh\u00e1 p\u0159\u00e1n\u00ed zopakovali ve \u010dtvrtek 26. 10. \u0159\u00edzenou ochutn\u00e1vku ko\u0161er v\u00edn z rakousk\u00e9ho vina\u0159stv\u00ed Hafner. Op\u011bt za n\u00e1mi z Bratislavy p\u0159ijel pan Ladislav Pol\u00e1k, kter\u00fd spolu se svou man\u017eelkou p\u0159edstavil a nab\u00eddl k ochutn\u00e1n\u00ed kolekci b\u00edl\u00fdch i \u010derven\u00fdch v\u00edn. Tu pro „na\u0161i“ ochutn\u00e1vku osobn\u011b vybral a sestavil majitel vina\u0159stv\u00ed pan Hafner tak, aby p\u0159\u00edtomn\u00ed m\u011bli mo\u017enost ochutnat vzorky nap\u0159\u00ed\u010d nab\u00eddkou v\u010detn\u011b v\u00edna, kter\u00e9 nab\u00edz\u00ed v l\u00e1hvi se \u0161roubov\u00e1n\u00edm ur\u010den\u00e9 na kidu\u0161. Odborn\u00fd v\u00fdklad nejen o p\u011bstov\u00e1n\u00ed, odr\u016fd\u00e1ch i p\u0159\u00edsn\u00fdch pravidlech p\u0159i v\u00fdrob\u011b ko\u0161er v\u00edn zaujal p\u0159\u00edtomn\u00e9 tak, \u017ee ot\u00e1zky n\u00e1sledn\u011b nebraly konce…<\/div><\/div>

\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"20231026_194556\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Nora Lustigov\u00e1 \u2013 osud mezi Brnem a Norskem\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ve st\u0159edu 11. 10. prob\u011bhla p\u0159edn\u00e1\u0161ka, na n\u00ed\u017e doc. Milu\u0161e Ju\u0159\u00ed\u010dkov\u00e1 z Masarykovy univerzity sezn\u00e1mila p\u0159\u00edtomn\u00e9 s jedn\u00edm z mnoha osud\u016f \u017eidovsk\u00fdch uprchl\u00edk\u016f. Nora Lustigov\u00e1 byla \u010dlenkou Mezin\u00e1rodn\u00ed ligy \u017een za m\u00edr a svobodu. P\u0159esto\u017ee sama pom\u00e1hala uprchl\u00edk\u016fm z N\u011bmecka i Rakouska, i ona byla nucena odej\u00edt prost\u0159ednictv\u00edm Nansenovy nadace do Norska, ale i toto \u00fato\u010di\u0161t\u011b se brzy stalo c\u00edlem nacistick\u00e9 okupace.
Byla uv\u011bzn\u011bna, deportov\u00e1na a zavra\u017ed\u011bna. Jej\u00ed hrob naleznete na brn\u011bnsk\u00e9m \u017eidovsk\u00e9m h\u0159bitov\u011b.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"20231011_182751\"<\/div>
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\"20231011_181107\"<\/div>
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\"20231011_181900\"<\/div>
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\"20231011_181121\"<\/div>
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Kluci z Boskovic<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ve st\u0159edu 4. \u0159\u00edjna na\u0161e pozv\u00e1n\u00ed k besed\u011b p\u0159ijala pan\u00ed Vicky Unwin, vnu\u010dka „moravsk\u00e9ho Kafky“ Hermanna Ungara. Jej\u00ed pov\u00edd\u00e1n\u00ed se to\u010dilo nejen
kolem jej\u00ed knihy Boy from Boskovice (Chlapec z Boskovic), kde se vyrovn\u00e1v\u00e1 s rodinnou „anamn\u00e9zou“ slo\u017eit\u00fdch povah sv\u00e9ho otce Thomase a
d\u011bde\u010dka Hermanna. „Pan\u00ed Vicky jsme nepozvali jen jako vnu\u010dku v\u00fdznamn\u00e9ho spisovatele, ale jako pan\u00ed Vicky Unwin“, uvedla za Mehrin beseduj\u00edc\u00ed
T\u00e1\u0148a Klementov\u00e1, a proto se debata vedla tak\u00e9 o jej\u00edm p\u0159ijet\u00ed vlastn\u00edch \u017eidovsk\u00fdch ko\u0159en\u016f a rodinn\u00e9ho odkazu z Moravy. Z\u00e1znam cel\u00e9 besedy m\u016f\u017eete
zhl\u00e9dnout na na\u0161em Facebooku.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Varhany v \u017eidovsk\u00e9 liturgii<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ve \u010dtvrtek 21. z\u00e1\u0159\u00ed n\u00e1s poctili svou n\u00e1v\u0161t\u011bvou man\u017eel\u00e9 Peterovi, rodi\u010de sou\u010dasn\u00e9ho pra\u017esk\u00e9ho rab\u00edna. Pan\u00ed Peterov\u00e1 u n\u00e1s p\u0159edn\u00e1\u0161ela ji\u017e v kv\u011btnu tohoto roku, nyn\u00ed p\u0159ijela spole\u010dn\u011b s man\u017eelem V\u00e1clavem Peterem, kter\u00fd je varhan\u00edkem v pra\u017esk\u00e9 Jeruzal\u00e9msk\u00e9 synagoze a organologem, sou\u010dasn\u011b i muzikoterapeutem. Jejich pov\u00edd\u00e1n\u00ed se t\u00fdkalo hlavn\u011b konkr\u00e9tn\u00edch varhan z Jeruzal\u00e9msk\u00e9 synagogy, jejich \u00fadr\u017eb\u011b a provozu, ale p\u0159edev\u0161\u00edm vzniku hudby pro tento n\u00e1stroj – n\u00e1zev p\u0159edn\u00e1\u0161ky Varhany v \u017eidovsk\u00e9 liturgii tak zcela naplnil avizovan\u00e9 t\u00e9ma.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"20230921_180758\"<\/div>
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\"20230921_181057\"<\/div>
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\"20230921_181048\"<\/div>
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\"20230921_183944\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Fred Iltis \u2013 100 \u2013 Na jih a na sever od hranic<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Pod t\u00edmto n\u00e1zvem jsme v\u00a0\u00fater\u00fd 19. 9. 2023 otev\u0159eli v\u00a0na\u0161ich prostor\u00e1ch v\u00a0po\u0159ad\u00ed ji\u017e t\u0159et\u00ed v\u00fdstavu\u2026<\/p>

Fred Iltis se narodil 20. dubna 1923 v\u00a0Brn\u011b. S\u00a0rodinou uprchl p\u0159ed nacisty do Spojen\u00fdch st\u00e1t\u016f, kde po v\u00e1lce z\u00edskal titul Ph.D. v\u00a0oboru entomologie na University of California a v\u00a060. letech se usadil s\u00a0man\u017eelkou Juli\u00ed v\u00a0San Jose, kde vyu\u010doval na kated\u0159e biologie. Stal se velmi citliv\u00fdm na probl\u00e9my men\u0161in i projevy bezpr\u00e1v\u00ed, a tak prost\u0159ednictv\u00edm \u010dernob\u00edl\u00fdch fotografi\u00ed za\u010dal mj. dokumentovat i aktivity hnut\u00ed za ob\u010dansk\u00e1 pr\u00e1va. Sv\u00e9 fotografie s\u00e1m vyvol\u00e1val, tiskl a pe\u010dliv\u011b archivoval u sebe doma. Se skromnost\u00ed sob\u011b vlastn\u00ed odm\u00edtal n\u00e1vrhy na jejich vystaven\u00ed. A\u017e v\u00a0roce 2008 p\u0159ijal n\u00e1vrh pana Daniele Ravenny, kter\u00fd soubor Fredem pe\u010dliv\u011b vybran\u00fdch 40-ti fotografi\u00ed v\u00a0roce 2009 v\u00a0Mil\u00e1n\u011b vystavil. Fred Iltis se v\u0161ak otev\u0159en\u00ed v\u00fdstavy u\u017e nedo\u017eil. Jsme r\u00e1di, \u017ee laskav\u00fdm zap\u016fj\u010den\u00edm pana Ravenny m\u016f\u017eeme tyto fotografie v\u00a0Brn\u011b p\u0159edstavit, a to pr\u00e1v\u011b 100 let od narozen\u00ed jejich autora, kter\u00fd by se jist\u011b t\u011b\u0161il sv\u00e9mu n\u00e1vratu do rodn\u00e9ho m\u011bsta.\u00a0\u00a0<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\"23-0171-023-nahled\"<\/div>
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\"23-0171-003-nahled\"<\/div>
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\"23-0171-069-nahled\"<\/div>
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\"23-0171-056-nahled\"<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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David Placzek v\u00a0Caf\u00e9 Kapr\u00e1l<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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David Placzek, kter\u00fd zem\u0159el v\u00a0Austr\u00e1lii roku 2008, byl v\u00a0Brn\u011b 26.6. p\u0159\u00edtomen samoz\u0159ejm\u011b pouze symbolicky, respektive prost\u0159ednictv\u00edm knihy sv\u00fdch pam\u011bt\u00ed. V\u00edce ne\u017e dokonale ho ov\u0161em zastoupila jeho nete\u0159 Rachel Alon-Margalit, kter\u00e1 \u017eije v\u00a0Izraeli a kter\u00e1 se zaslou\u017eila o anglick\u00e9 vyd\u00e1n\u00ed knihy v\u00a0roce 2016. Nyn\u00ed kniha vych\u00e1z\u00ed \u010desky jako prvn\u00ed titul edice Mehrin, jej\u00edm\u017e zalo\u017een\u00edm pln\u00edme dal\u0161\u00ed ze stanoven\u00fdch \u00fakol\u016f projektu zbudov\u00e1n\u00ed moravsk\u00e9ho \u017eidovsk\u00e9ho muzea Mehrin.
Jeliko\u017e na V\u00edde\u0148sk\u00e9 14 je od minul\u00e9ho t\u00fddne v\u00fdstava, kter\u00e1 neumo\u017e\u0148uje s\u00e1lovou \u00fapravu, p\u0159esunuli jsme \u201ek\u0159est\u201c do skvostn\u00fdch kulis Caf\u00e9 Kapr\u00e1l v\u00a0centru m\u011bsta a pot\u011b\u0161ilo n\u00e1s, kolik lid\u00ed si na tento slavnostn\u00ed ve\u010der ud\u011blalo \u010das. Ve\u010der moderovali T\u00e1\u0148a Klementov\u00e1 a Martin Reiner. Uveden\u00ed knihy na trh se z\u00fa\u010dastnili i \u010dty\u0159i
\u010dlenov\u00e9 brn\u011bnsk\u00e9 rodiny Placzek\u016f, do jejich\u017e Caf\u00e9 Placzek si m\u016f\u017eete zaj\u00edt na v\u00fdbornou k\u00e1vu a z\u00e1kusky.<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vernis\u00e1\u017e v\u00fdstavy Wernera Malleho<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V\u00a0p\u00e1tek 23. \u010dervna prob\u011bhla na V\u00edde\u0148sk\u00e9 14 vernis\u00e1\u017e v\u00fdstavy Stopy sv\u011btlo \u010desko-n\u011bmeck\u00e9ho socha\u0159e a v\u00fdtvarn\u00edka Wernera Malleho. Werner str\u00e1vil v\u00a0Brn\u011b \u0161est dn\u00ed i se svou \u017eenou a osobn\u011b se pod\u00edval jak na instalaci v\u00fdstavy, tak na vzty\u010den\u00ed dvoutunov\u00e9ho kolosu Restlicht (Zbytkov\u00e9 sv\u011btlo) na n\u00e1m\u011bst\u00ed Svobody, kter\u00fd p\u0159ipom\u00edn\u00e1 nejt\u011b\u017e\u0161\u00edho obdob\u00ed pro evropsk\u00e9 \u017eidy v\u00a0letech 1938-1945. Za v\u00fdznamnou pomoc p\u0159i instalaci v\u00fdstavy d\u011bkujeme Jozvovi Hy\u017en\u00e9mu, za fotky z\u00a0vernis\u00e1\u017ee Mirce Holasov\u00e9. Speci\u00e1ln\u00ed d\u00edk pat\u0159\u00ed Petru \u0160est\u00e1kovi, kter\u00fd s\u00a0n\u00e1padem uspo\u0159\u00e1dat Wernerovi v\u00a0Brn\u011b v\u00fdstavu p\u0159i\u0161el a tak\u00e9 n\u00e1s vz\u00e1jemn\u011b propojil. A zdrav\u00edme i kolegy z\u00a0festivalu Meeting Brno, s\u00a0nimi\u017e jsme \u00fazce spolupracovali p\u0159i vy\u0159izov\u00e1n\u00ed logistick\u00fdch z\u00e1le\u017eitost\u00ed spojen\u00fdch s\u00a0vystaven\u00edm Restlichtu.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Je\u0159\u00e1bek a Uhde o Milanu Kunderovi\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Velk\u00e9mu z\u00e1jmu se t\u011b\u0161ila beseda, kterou v pond\u011bl\u00ed vedli diskutuj\u00edc\u00ed PhDr. Mojm\u00edr Je\u0159\u00e1bek a PhDr. Milan Uhde. Objektem jejich z\u00e1jmu byla osobnost Milana Kundery. Koho zaj\u00edm\u00e1, o \u010dem konkr\u00e9tn\u00edm byla \u0159e\u010d, m\u016f\u017ee si celou p\u0159edn\u00e1\u0161ku poslechnout na Facebooku Mal\u00e9ho Mehrinu a n\u00ed\u017ee si prohl\u00e9dnout fotografie V\u00edta M\u00e1dra…<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jan \u0160pilar na besed\u011b v Mal\u00e9m Mehrinu pov\u011bd\u011bl, \u010d\u00edm v\u0161\u00edm je...\n<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A kdo pov\u00edd\u00e1n\u00ed v \u00fater\u00fd 30. kv\u011btna nestihl u n\u00e1s nav\u0161t\u00edvit osobn\u011b, a r\u00e1d by to v\u011bd\u011bl, m\u016f\u017ee si pustit z\u00e1znam z besedy na na\u0161em Facebooku<\/a><\/span><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Osobnost dr. Richarda Federa nez\u016fstane zapomenuta<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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St\u0159ede\u010dn\u00ed p\u0159edn\u00e1\u0161ka psychoterapeutky a spisovatelky PhDr. Zuzany Peterov\u00e9 zas\u00e1hla srdce v\u0161ech p\u0159\u00edtomn\u00fdch. Obsahem jej\u00edho vystoupen\u00ed byl \u017eivotn\u00ed osud osobnosti dr. Richarda Federa, kter\u00fd v Brn\u011b p\u016fsobil od roku 1953 a\u017e do sv\u00e9 smrti v roce 1970. V dob\u011b holokaustu p\u0159i\u0161el o v\u0161echny sv\u00e9 nejbli\u017e\u0161\u00ed, ale p\u0159esto se nikdy sv\u00e9mu smutku nepodd\u00e1val, ale naopak poskytoval \u00fat\u011bchu pot\u0159ebn\u00fdm… Atmosf\u00e9ru podve\u010dera asi nejl\u00e9pe vystihuje na z\u00e1v\u011br vysloven\u00fd post\u0159eh a ot\u00e1zka jedn\u00e9 z n\u00e1v\u0161t\u011bvnic: Jak se Vy sama jako psychoterapeutka, kter\u00e1 m\u00e1 obdobnou zku\u0161enost, vyrovn\u00e1v\u00e1te s tou t\u00edhou, kterou na v\u00e1s nakl\u00e1daj\u00ed ostatn\u00ed a p\u0159esto se st\u00e1le usm\u00edv\u00e1te? V m\u00fdch o\u010d\u00edch jste pokra\u010dovatelkou odkazu dr. Federa, proto\u017ee i vy rozd\u00e1v\u00e1te \u00fat\u011bchu a nad\u011bji t\u011bm, kte\u0159\u00ed se na v\u00e1s obracej\u00ed! Jak jednodu\u0161e vysloven\u00fd hold ob\u011bma…<\/div>
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Studenti na V\u00edde\u0148sk\u00e9<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Je pro n\u00e1s pot\u011b\u0161iteln\u00e9, \u017ee v\u00fdstava Nositel\u00e9 pam\u011bti, kter\u00e1 buden a V\u00edde\u0148sk\u00e9 instalov\u00e1na a\u017e do poloviny \u010dervna, neunikla pozornosti pedagog\u016f, kte\u0159\u00ed hledaj\u00ed pro sv\u00e9 \u017e\u00e1ky a studenty interaktivn\u00edf ormy v\u00fduky. V \u00fater\u00fd 2. 5. tak v\u00fdstavu nav\u0161t\u00edvili studenti z brn\u011bnsk\u00e9ho Gymn\u00e1zia t\u0159. Kpt. Jaro\u0161e, kter\u00e9 nejenom s v\u00fdstavou samotnou, ale tak\u00e9 s projektem vzniku Moravsk\u00e9ho \u017eidovsk\u00e9ho muzea Mehrin sezn\u00e1mil Martin Reiner. Studenti pak individu\u00e1ln\u011b za\u010dali naslouchat v\u00fdpov\u011bd\u00edm pam\u011btn\u00edk\u016f i zkoumat dobov\u00e9 listiny a dokumenty, kter\u00e9 jsou ve v\u00fdstav\u011b um\u00edst\u011bny. N\u011bkte\u0159\u00ed z nich pak svou reflexi zaznamenali i do knihy n\u00e1v\u0161t\u011bv\u2026<\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Povst\u00e1n\u00ed ve var\u0161avsk\u00e9m ghettu<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Heroick\u00fd \u010din nevelk\u00e9ho mno\u017estv\u00ed lid\u00ed, kte\u0159\u00ed m\u011bli b\u00fdt za\u0159azeni do posledn\u00edho transportu a rozhodli se zem\u0159\u00edt s\u00a0hlavou vzty\u010denou, je sv\u011btu pom\u011brn\u011b dob\u0159e zn\u00e1m.
U p\u0159\u00edle\u017eitosti 80. v\u00fdro\u010d\u00ed za\u010d\u00e1tku povst\u00e1n\u00ed (19. dubna 1943) jsme p\u0159esto pozvali na V\u00edde\u0148skou 14 historika Ji\u0159\u00edho Friedla, kter\u00fd mluvil velmi zasv\u011bcen\u011b nejen o povst\u00e1n\u00ed, ale o cel\u00e9 historii ghetta a \u017eivota v\u00a0n\u011bm. Herec N\u00e1rodn\u00edho divadla Brno Vladim\u00edr Kr\u00e1tk\u00fd \u010detl uk\u00e1zky z\u00a0Den\u00edky var\u0161avsk\u00e9ho
ghetta, jeho\u017e autorem nen\u00ed nikdo jin\u00fd ne\u017e Adam Czerniak\u00f3w, dlouholet\u00fd p\u0159edseda m\u00edstn\u00ed \u017eidovsk\u00e9 obce a pak i Judenratu, kter\u00fd se staral o chod ghetta. Czerniak\u00f3w\u016fv \u017eivot kon\u010d\u00ed tragicky: otr\u00e1v\u00ed se ve sv\u00e9 kancel\u00e1\u0159i cyank\u00e1li, kdy\u017e zjist\u00ed, \u017ee nedok\u00e1\u017ee zabr\u00e1nit transport\u016fm a likvidaci ghetta.
Drobnou ud\u00e1lost\u00ed v\u00a0r\u00e1mci mimo\u0159\u00e1dn\u011b zaj\u00edmav\u00e9ho ve\u010dera, kter\u00fd zasv\u011bcen\u011b moderovala T\u00e1\u0148a Klementov\u00e1, byla \u00fa\u010dast Edity Kryst\u00fdnkov\u00e9, kter\u00e1 se ve var\u0161avsk\u00e9m ghettu narodila a str\u00e1vila zde prvn\u00ed dva roky \u017eivota. Fotil jako obvykle V\u00edt M\u00e1dr.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Portr\u00e9t Anny L\u00f6wy<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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V\u00a0p\u00e1tek 14. dubna za\u017eil Mal\u00fd Mehrin n\u011bco mimo\u0159\u00e1dn\u00e9ho. Ze Spojen\u00fdch st\u00e1t\u016f p\u0159ilet\u011bla Ann Altman, kter\u00e1 se sice narodila u\u017e po v\u00e1lce v\u00a0anglick\u00e9m Bristolu, ale v\u00a0jej\u00edm rodokmenu najdeme hned n\u011bkolik v\u00fdznamn\u00fdch moravsk\u00fdch \u017eidovsk\u00fdch rod\u016f. \u017d\u00e1dn\u00fd z\u00a0jej\u00edch \u010dty\u0159 prarodi\u010d\u016f nep\u0159e\u017eil holokaust, ale babi\u010dka Anna L\u00f6wy (z rodiny znojemsk\u00e9ho pivovarn\u00edka Rudolfa Wotzilky) z\u016fstala s\u00a0p\u0159e\u017eiv\u0161\u00edmi d\u00e1l na kr\u00e1sn\u00e9m portr\u00e9tn\u00edm obraze. Kdy\u017e se Ann Altman p\u0159edloni dozv\u011bd\u011bla, \u017ee v\u00a0Brn\u011b vznik\u00e1 Moravsk\u00e9 \u017eidovsk\u00e9 muzeum Mehrin, vstoupila s\u00a0n\u00e1mi v\u00a0kontakt, nab\u00eddla svou pomoc, a po n\u011bjak\u00e9m \u010dase se rozhodla, \u017ee portr\u00e9t sv\u00e9 babi\u010dky v\u011bnuje muzeu. Osobn\u011b ho p\u0159ivezla, pov\u00eddala si p\u0159i t\u00e9 p\u0159\u00edle\u017eitosti s\u00a0novin\u00e1\u0159i a ve\u010der na V\u00edde\u0148sk\u00e9 i s\u00a0n\u00e1v\u0161t\u011bvn\u00edky slavnostn\u00edho aktu p\u0159ed\u00e1n\u00ed obrazu.
D\u011bkujeme, a vn\u00edm\u00e1me to jako z\u00e1vazek!<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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N\u00e1v\u0161t\u011bva ministra kultury<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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1. dubna nav\u0161t\u00edvil na\u0161e \u201eprozat\u00edmn\u00ed\u201c muzeum ministr kultury \u010cR Martin Baxa. V\u00fdstavou Nositel\u00e9 pam\u011bti ho provedl osobn\u011b jej\u00ed autor Martin \u0160mok. Ministr p\u0159i\u0161el i se svou \u017eenou a zdr\u017eel se u n\u00e1s p\u0159es hodinu, tak\u017ee jsme m\u011bli dost \u010dasu probrat i \u0159adu ot\u00e1zek t\u00fdkaj\u00edc\u00edch se budoucnosti cel\u00e9ho projektu a jeho podpory ze strany ministerstva, pota\u017emo vl\u00e1dy.\u00a0P\u0159esto\u017ee ekonomick\u00e1 situace zem\u011b nen\u00ed v\u00a0d\u016fsledku covidov\u00e9 epidemie, v\u00e1lky na Ukrajin\u011b a n\u00e1sledn\u00e9 energetick\u00e9 krize p\u0159\u00edzniv\u00e1, je jasn\u00e9, \u017ee jsme jako zem\u011b dostate\u010dn\u011b siln\u00ed, abychom ji ust\u00e1li a nerezignovali na dobr\u00e9 a z\u00e1rove\u0148 d\u016fle\u017eit\u00e9 v\u011bci jako je t\u0159eba pr\u00e1v\u011b zbudov\u00e1n\u00ed Moravsk\u00e9ho \u017eidovsk\u00e9ho muzea.\u00a0<\/span>Setk\u00e1n\u00ed n\u00e1s ka\u017edop\u00e1dn\u011b naplnilo nad\u011bj\u00ed a optimismem; je zjevn\u00e9, \u017ee podporu Martina Baxy n\u00e1\u0161 projekt m\u00e1.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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P\u0159edstaven\u00ed brn\u011bnsk\u00e9ho IWalku<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dokumentarista Martin \u0160mok p\u0159ipravil pro Brno hned dv\u011b virtu\u00e1ln\u00ed proch\u00e1zky jeho \u017eidovskou minulost\u00ed, z\u00a0nich\u017e jedna je u\u017e v\u00a0tuto chv\u00edli pln\u011b k dispozici. Brno se tak nyn\u00ed p\u0159i\u0159adilo k\u00a0necel\u00e9 des\u00edtce m\u00edst v\u00a0\u010cesk\u00e9 republice, kter\u00e1 u\u017e maj\u00ed sv\u016fj IWalk, \u010d\u00edm\u017e dalo zejm\u00e9na u\u010ditel\u016fm a student\u016fm
k\u00a0dispozici skv\u011blou pom\u016fcku p\u0159i v\u00fduce lok\u00e1ln\u00edch d\u011bjin.\u00a0Mobiln\u00ed aplikace s\u00a0n\u00e1zvem IWalk je voln\u011b ke sta\u017een\u00ed v\u00a0Google Play (pro chytr\u00e9 telefony
s\u00a0opera\u010dn\u00edm syst\u00e9mem Android) nebo v\u00a0Apple Store pro iPhony. 27. b\u0159ezna p\u0159ijel Martin \u0160mok sv\u00e9 d\u00edlko p\u0159edstavit n\u00e1v\u0161t\u011bvn\u00edk\u016fm Mal\u00e9ho Mehrinu, a b\u011bhem besedy se uk\u00e1zalo, \u017ee i v\u00a0publiku jsou pam\u011btnice, kter\u00e9 je\u0161t\u011b za\u017eili osobn\u011b Bena Benariho; jednoho z\u00a0virtu\u00e1ln\u00edch pr\u016fvodc\u016f. Div\u00e1ci m\u011bli mo\u017enost shl\u00e9dnout i \u010d\u00e1st dosud nepublikovan\u00e9ho IWalku \u010d.2. D\u00edk pat\u0159\u00ed USC Shoah Foundation, spolku OpenEye, Meetingu Brno a firm\u011b SAKO, a.s., kter\u00e1 na
vznik brn\u011bnsk\u00e9ho IWalku finan\u010dn\u011b p\u0159isp\u011bla. Stejn\u011b jako Nada\u010dn\u00ed fond Mehrin, kter\u00fd celou v\u011bc inicioval.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ochutn\u00e1vka v\u00edn z vina\u0159stv\u00ed Hafner <\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Ladislav Pol\u00e1k je z\u00a0Bratislavy, kde se svou \u017eenou od roku 1993 provozovali ko\u0161er restauraci Chez David. Do Brna p\u0159ijeli prezentovat v\u00fdborn\u00e1 ko\u0161er v\u00edna dolnorakousk\u00e9ho vina\u0159e Julia Hafnera, a to pr\u00e1v\u011b v\u00a0den prezidentsk\u00e9 inaugurace. Dlu\u017eno \u0159\u00edct, \u017ee komentovan\u00e9 degustace pat\u0159\u00ed k\u00a0t\u011bm \u0161\u0165astn\u00fdm akc\u00edm, odkud lid\u00e9 odch\u00e1zej\u00ed v\u00a0dobr\u00e9 n\u00e1lad\u011b a v\u00a0lep\u0161\u00edm p\u0159\u00edpad\u011b i o n\u011bco chyt\u0159ej\u0161\u00ed. Tentokr\u00e1t bylo o d\u016fvod v\u00edc pozvednout radostn\u011b \u010d\u00ed\u0161, a excelentn\u00ed brandy, kter\u00e1 p\u0159i\u0161la na z\u00e1v\u011br, cel\u00fd poveden\u00fd ve\u010der vhodn\u011b korunovala!\u00a0Mimochodem, Hafnerovo v\u00edno, kter\u00e9 znaj\u00ed ve \u010dty\u0159iceti zem\u00edch sv\u011bta, m\u016f\u017eete sami ochutnat na ka\u017ed\u00e9 akci, kterou v\u00a0Mal\u00e9m Mehrinu po\u0159\u00e1d\u00e1me.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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P\u0159edn\u00e1\u0161ka americk\u00e9 spisovatelky Kathi Diamant<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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P\u0159edn\u00e1\u0161ka americk\u00e9 spisovatelky Kathi Diamant, autorky bestselleru Kafka\u2019s Last Love o Do\u0159e Diamant, byla prvn\u00edm testem na\u0161eho prostoru na V\u00edde\u0148sk\u00e9 v \u201es\u00e1lov\u00e9\u201c \u00faprav\u011b. T\u0159icet \u017eidli\u010dek, kter\u00e9 m\u00e1me k\u00a0dispozici, bylo pln\u011b obsazen\u00fdch, a dal\u0161\u00edch deset lid\u00ed se n\u011bjak poskl\u00e1dalo okolo, tak\u017ee jsme si ov\u011b\u0159ili, kde jsou zhruba meze na\u0161ich kapacitn\u00edch mo\u017enost\u00ed! (A n\u00e1sledn\u011b je\u0161t\u011b n\u011bjak\u00e9 \u017eidli\u010dky p\u0159ikoupili.:-))\u00a0Pov\u00edd\u00e1n\u00ed o posledn\u00ed (kr\u00e1tk\u00e9, ale velmi v\u00fdznamn\u00e9) l\u00e1sce Franze Kafky bylo poutav\u00e9, z\u00e1bavn\u00e9 i j\u00edmav\u00e9. P\u0159esto\u017ee trvalo hodinu a p\u016fl, publikum setrvalo a\u017e do konce jako jeden mu\u017e.\u00a0<\/span>Za nev\u0161edn\u00ed z\u00e1\u017eitek d\u011bkujeme nejen autorce (a jej\u00edmu man\u017eelovi, kter\u00fd nakonec obsluhoval obr\u00e1zky), ale tak\u00e9 Judit\u011b Maty\u00e1\u0161ov\u00e9, kter\u00e1 v\u0161e zprost\u0159edkovala, Katce B\u00e1\u0148ov\u00e9, kter\u00e1 skv\u011ble tlumo\u010dila, a nakonec V\u00edtu M\u00e1drovi, kter\u00fd pro n\u00e1s po\u0159\u00eddil tyto hezk\u00e9 fotografie.<\/span><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vernis\u00e1\u017e, slavnostn\u00ed zah\u00e1jen\u00ed<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Vernis\u00e1\u017e v\u00fdstavy Martina \u0160moka Nositel\u00e9 pam\u011bti, kter\u00e1 byla z\u00e1rove\u0148 slavnostn\u00edm zah\u00e1jen\u00edm provozu muzea, se vyda\u0159ila. P\u0159inejmen\u0161\u00edm v\u00a0tom smyslu, \u017ee neselhala technika a \u017ee se dostavila v\u011bt\u0161ina pozvan\u00fdch, v\u010detn\u011b vz\u00e1cn\u00fdch host\u016f, jak\u00fdmi byli Karel Ellinger (nar. 1928), kter\u00fd p\u0159e\u017eil
Osv\u011btim a n\u011bkolik dal\u0161\u00edch koncentra\u010dn\u00edch t\u00e1bor\u016f, Milan Uhde, prim\u00e1torka Statut\u00e1rn\u00edho m\u011bsta Brna Mark\u00e9ta Va\u0148kov\u00e1, starosta m\u011bstsk\u00e9 \u010d\u00e1sti Brno-st\u0159ed Vojt\u011bch Mencl, \u0159editel Moravsk\u00e9 zemsk\u00e9 knihovny Tom\u00e1\u0161 Kub\u00ed\u010dek a \u0159ada dal\u0161\u00edch. Nechyb\u011bl autor v\u00fdstavy ani autor architektonick\u00e9ho n\u00e1vrhu podoby muzea Radim Hor\u00e1k, vedouc\u00ed ateli\u00e9ru Kamkab!net. Na zdar Mal\u00e9ho Mehrinu jsme si p\u0159ipili s\u00a0T\u00e1\u0148ou Klementovou a \u0159editelkou \u201eprozat\u00edmn\u00edho\u201c muzea Jitkou Kr\u00e1lovou.
Fotil V\u00edt M\u00e1dr a kamera \u010di ty\u010d s\u00a0mikrofonem pat\u0159ily \u0161t\u00e1bu Moniky Rychl\u00edkov\u00e9, kter\u00e1 o Mal\u00e9m Mehrinu to\u010d\u00ed p\u016flhodinov\u00fd dokument pro po\u0159ad Babylon.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Na\u010d\u00edst v\u00edce<\/a>
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Konec galerie<\/p><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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V\u00fdstava a interi\u00e9r<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Dopoledne p\u0159ed vernis\u00e1\u017e\u00ed p\u0159i\u0161el na V\u00edde\u0148skou 14 n\u00e1\u0161 kamar\u00e1d a v\u00fdborn\u00fd fotograf Petr Sold\u00e1n a za hodinu n\u00e1m ud\u011blal s\u00e9rii profesion\u00e1ln\u00edch z\u00e1b\u011br\u016f interi\u00e9ru s\u00a0ji\u017e instalovanou v\u00fdstavou Martina \u0160moka Nositel\u00e9 pam\u011bti. Nebudeme tud\u00ed\u017e u\u017e muset pou\u017e\u00edt ani vizualizace architektonick\u00e9ho n\u00e1vrhu ani na\u0161e vlastn\u00ed roztomile amat\u00e9rsk\u00e9 sn\u00edmky z\u00a0mobilu. Obr\u00e1zku je spousta a budeme je ur\u010dit\u011b postupn\u011b p\u0159i r\u016fzn\u00fdch p\u0159\u00edle\u017eitostech vytahovat jako kr\u00e1l\u00edky z\u00a0klobouku; te\u010f alespo\u0148 takov\u00e1 prvn\u00ed ochutn\u00e1vka.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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F\u00fchrung durch die Dauerausstellung Ende des Monats haben wir eine weitere F\u00fchrung durch unsere Dauerausstellung \u00fcber die Geschichte der j\u00fcdischen Gemeinden in M\u00e4hren mit einem neuen Gesicht des F\u00fchrers vorbereitet, die anl\u00e4sslich des Internationalen Holocaust-Gedenktages stattfand. Durch die Ausstellung f\u00fchrte die Historikerin T\u00e1\u0148a Klementov\u00e1, die ausgew\u00e4hlte Geschichten m\u00e4hrisch-j\u00fcdischer Familien vorstellte, die an ihr kulturelles Erbe und ihr tragisches Schicksal w\u00e4hrend des Holocausts erinnerten. Georg Placzek - Odyssee eines Br\u00fcnner Nuklearphysikers Georg Placzek - Odyssee eines Br\u00fcnner Nuklearphysikers. Unter diesem Titel hat Ale\u0161 Gottvald, ein langj\u00e4hriges Mitglied der Akademie der Wissenschaften, den geb\u00fcrtigen Br\u00fcnner und weltbekannten Physiker umfassend vorgestellt. Er war ein aktiver Treiber vieler Ereignisse und Entdeckungen, die den Beginn des Atomzeitalters symbolisieren und viele Auswirkungen auf unsere Nachkriegsgeschichte und Gegenwart haben. Zeitgen\u00f6ssischer Antisemitismus: Antizionismus. Am Dienstag, den 13. Januar, begannen wir das neue Jahr mit einem sehr interessanten Vortrag der Kulturwissenschaftlerin und Hebraistin Theresa Dubin zum Thema Zeitgen\u00f6ssischer Antisemitismus: Antizionismus. Sie gab einen \u00dcberblick \u00fcber die Fakten und stellte vor, wie der zeitgen\u00f6ssische Antisemitismus aussieht, welche Sprache, Bilder, Erz\u00e4hlungen und Methoden er verwendet. Wie wird das Fest der Lichter gefeiert? Das bevorstehende Chanukka-Fest wurde am Donnerstag, dem 11. Dezember, mit einem Vortrag der Praktikerin Judith Kopot begangen. Die entspannte Atmosph\u00e4re des Vortrags ermutigte die Zuh\u00f6rer, Fragen zu stellen und sich mit anderen Fragen auch anderen Themen als dem reinen Chanukka-Fest zuzuwenden... Mehr lesen Ende der Galerie Geschichtsstudenten besuchten uns Am Mittwoch, dem 3. Dezember 2025, besuchten Geschichtsstudenten des zweiten Studienjahres der Masaryk-Universit\u00e4t unseren Ausstellungsraum. Sie erfuhren alles \u00fcber unser Projekt, ein neues J\u00fcdisches Museum Mehrin zu errichten, und \u00fcber die Aktivit\u00e4ten des Kleinen Mehrin, das diesem Projekt vorausgeht. Sie sahen die Dauerausstellung im Untergeschoss und die aktuelle audiovisuelle Ausstellung von Briefen aus dem Holocaust mit dem Titel Voices. Die wei\u00dfe Kr\u00e4he Der Titel der Diskussion, die am Dienstag, dem 2. Dezember 2025, stattfand, wurde nach dem gleichnamigen Dokumentarfilm der deutschen Regisseurin Carolin Ott gew\u00e4hlt. Sie drehte ihn \u00fcber das Leben von Max Mannheimer, der mehrere Konzentrationslager durchlief, aber trotzdem eine positive Lebenseinstellung behielt. Zwei Damen - Eva Kalousov\u00e1, die sich seit langem mit dieser Thematik besch\u00e4ftigt, und Eva Kope\u010dkov\u00e1, die direkt mit Max Mannheimer verwandt ist... Weiterlesen Ende der Galerie Die F\u00fchrung durch die st\u00e4ndige Kellerausstellung in Mal\u00fd Mehrin in der V\u00edde\u0148sk\u00e1 Stra\u00dfe fand diesmal mit unserer Lektorin f\u00fcr Bildungsprogramme f\u00fcr Schulen Eva Kope\u010dkov\u00e1 am Mittwoch, den 19. November statt. Mehr laden Ende der Galerie Wie findet man die Vergangenheit? Wo sind die Zeugnisse der j\u00fcdischen Einwohner, der Transporte und ihres Schicksals w\u00e4hrend des Krieges erhalten? Der Vortrag von Jana \u0160pl\u00edchalov\u00e1, Historikerin am J\u00fcdischen Museum in Prag, am Montag, den 10. November 2025, stie\u00df auf gro\u00dfes Interesse. Sie erl\u00e4uterte, wie Historiker die Geschichten von Einzelpersonen und Gemeinschaften zusammensetzen und wie wertvoll Materialien aus Familienarchiven sind. Die revisionistische Bewegung in M\u00e4hren Am Montag, den 3. November 2025, fand ebenfalls ein Vortrag zu dem sehr interessanten Thema der revisionistischen Bewegung statt. Der interessante Vortrag von Martin \u0160mok gab den Anwesenden einen Einblick in ein Thema, das im Allgemeinen nicht so gut bekannt ist. IWalk in Br\u00fcnn! Am Montag, dem 3. November, fand ein Seminar f\u00fcr Grund- und SekundarschullehrerInnen statt, bei dem sie eine Anwendung kennenlernten, die ihnen als Hilfsmittel f\u00fcr den Unterricht dienen kann. Die Teilnehmer hatten die Gelegenheit, die Anwendung, die bereits reale Orte mit Filmerinnerungen j\u00fcdischer Einwohner von Br\u00fcnn verbindet, auf zwei Routen au\u00dferhalb der R\u00e4umlichkeiten unseres Museums direkt an den betreffenden Orten auszuprobieren. Ihre F\u00fchrer f\u00fcr den Vortrag und den Spaziergang waren der Autor der App, Martin \u0160mok, und die Historikerin T\u00e1\u0148a Klementov\u00e1.7 Oktober 2023 und seine Auswirkungen auf die geopolitische Karte des Nahen Ostens Zwei Jahre nach dem tragischen Terroranschlag der Hamas auf Israel und dem anschlie\u00dfenden Krieg in Gaza hat sich die geopolitische Karte des Nahen Ostens grundlegend ver\u00e4ndert. Am Donnerstag, den 23. Oktober, luden wir Eva Tater, Historikerin und Nahostexpertin vom Institut f\u00fcr Zeitgeschichte des CAS, ein, um die Situation und ihre m\u00f6glichen Folgen zu er\u00f6rtern. Fast alle Anwesenden beteiligten sich an einer lebhaften Diskussion, die nicht nur am Ende, sondern w\u00e4hrend des gesamten Vortrags gef\u00fchrt wurde. F\u00fchrung durch die Dauerausstellung in Mal\u00fd Mehrin Am 15. Oktober nahm unser neuer Mitarbeiter, der Historiker Jakub K\u0159\u00ed\u017e, an einer F\u00fchrung durch unsere Dauerausstellung teil, die alle an der j\u00fcdischen Geschichte Interessierten in ihren Bann zog. Ein Gespr\u00e4ch mit Milo\u0161 Dole\u017eal, dem Autor des Buches \u201eHier ist niemand au\u00dfer mir\u201c Das von Martin Reiner geleitete Gespr\u00e4ch mit Milo\u0161 Dole\u017eal am Donnerstag, dem 9. Oktober 2025, er\u00f6ffnete die ber\u00fchrende und unverwechselbare Welt der j\u00fcdischen Bewohner des Hochlandes, die wie aus Nerudas Erz\u00e4hlungen der Kleinseite entsprungen zu sein schienen... Genau zwei Jahre nach dem Angriff der Hamas auf Israel, bei dem Soldaten und Zivilisten get\u00f6tet wurden, wollten wir daran erinnern, dass auch nach so langer Zeit noch nicht alle gewaltsam Verschleppten wieder bei ihren Angeh\u00f6rigen sind... Wir baten den Schauspieler des Nationaltheaters Br\u00fcnn, Herrn Vladim\u00edr Kr\u00e1tk\u00fd, alle noch verbliebenen Namen aufzusagen, die dann am Nachmittag auf dem Freiheitsplatz in Br\u00fcnn wiederholt wurden. Viele Passanten blieben stehen und steckten sich aus Solidarit\u00e4t mit den Entf\u00fchrungsopfern eine gelbe Schleife an den Kopf. Load more Ende der Galerie Begegnungen mit Stimmen Am Donnerstag, 4. September 2025, wurde die audiovisuelle Ausstellung Stimmen. Am Dienstag, den 30. September 2025, kamen unsere Besucher, um den \"Stimmen der Buchstaben\" zu lauschen, bei deren Verarbeitung uns die derzeit viel diskutierte k\u00fcnstliche Intelligenz geholfen hat. Sie konnten auch die Originalbriefe und -dokumente sehen, die vor fast hundert Jahren geschrieben wurden, und bei einem Glas guten koscheren Weins pers\u00f6nlich mit einigen der Familien sprechen, die pers\u00f6nliche Korrespondenz zur Verf\u00fcgung gestellt haben... Die Autorin des gesamten Projekts, die Historikerin T\u00e1\u0148a Klementov\u00e1, und die Feinheiten der KI-gest\u00fctzten Verarbeitung, Franti\u0161ek Floder, haben gesprochen. Load more Ende der Galerie F\u00fchrung durch die Dauerausstellung in Mal\u00fd Mehrin Im Untergeschoss der V\u00edde\u0148sk\u00e1 Stra\u00dfe 14 versteckt sich gewisserma\u00dfen unsere Dauerausstellung, die der j\u00fcdischen Geschichte in M\u00e4hren gewidmet ist. Wir m\u00f6chten sie jeden Monat mit einer F\u00fchrung erweitern, bei der die Besucher viel mehr erfahren und auch Fragen stellen k\u00f6nnen. Die erste F\u00fchrung am Mittwoch, den 10. September, wurde von Martin Reiner, dem Direktor der Stiftung Mehrin, gehalten. Sehnsucht zu leben. Die (un)gew\u00f6hnliche Geschichte von Franti\u0161ek F\u00e4rber aus Krom\u011b\u0159\u00ed\u017e Am Dienstag, den 8. April haben wir eine neue Ausstellung er\u00f6ffnet. Es handelt sich um eine Reihe von Zeichnungen, die durch das Leben von Franti\u0161ek F\u00e4rber, einem Holocaust-\u00dcberlebenden aus Kromeriz, inspiriert wurden. Der Autor der Zeichnungen ist der chinesische K\u00fcnstler Han Jiang Xue, der dauerhaft in der Tschechischen Republik lebt. Die ausgestellten Zeichnungen wurden als Grundlage f\u00fcr ein p\u00e4dagogisches Comicbuch f\u00fcr das Museum von Krom\u011b\u0159\u00ed\u017e geschaffen. Sie sollen die Spuren der gro\u00dfen historischen Ereignisse des 20. Jahrhunderts im Leben von Franti\u0161ek F\u00e4rber nachzeichnen, dessen Familie der j\u00fcdischen Gemeinde von Kromeriz angeh\u00f6rte. Die Zeichnungen beruhen auf historischen Quellen,<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"elementor_header_footer","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-132","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/malymehrin.cz\/de\/wp-json\/wp\/v2\/pages\/132","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/malymehrin.cz\/de\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/malymehrin.cz\/de\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/malymehrin.cz\/de\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/malymehrin.cz\/de\/wp-json\/wp\/v2\/comments?post=132"}],"version-history":[{"count":199,"href":"https:\/\/malymehrin.cz\/de\/wp-json\/wp\/v2\/pages\/132\/revisions"}],"predecessor-version":[{"id":3866,"href":"https:\/\/malymehrin.cz\/de\/wp-json\/wp\/v2\/pages\/132\/revisions\/3866"}],"wp:attachment":[{"href":"https:\/\/malymehrin.cz\/de\/wp-json\/wp\/v2\/media?parent=132"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}